Handel - Coronation Anthems - Eton College Chapel

I performed with the Brandenburg Baroque Soloists at Eton College on Thursday 15th of June 2017 at 8:45pm. The performance of Handel’s 'Coronation Anthems' took place in the magnificent Chapel of Eton College.The chorus was directed by Matthew O'Donovan, who brilliantly directed the 14-piece period-instrument orchestra, led by violinist Walter Reiter.I first met Walter Reiter at Dartington International
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Handel - Messiah - Wimbledon - Sonoro & Wimbledon Community Chorus

I played first trumpet in a performance of Handel’s Messiah on Saturday 18th of March 2017 at St. John’s Church, on Spencer Hill in Wimbledon. The performance involved members of the pro-choir Sonoro, the Wimbledon Community Chorus and the Sonoro Baroque Ensemble, led by Susie Carpenter-Jacobs.The performance was conducted by one of the Artistic Directors of Sonoro, Neil Ferris [who has recently
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Spiritato! - ‘Sound the Trumpet’ - Chichester Assembly Room

I performed the 'Sound the Trumpet' programme with ‘Spiritato’ at the Chichester Assembly Room on Thursday the 16th of February 2017. The evening included works by Purcell, Corbett, Rebel, Fantini, Legrenzi, Albrici, Matheis and Franceschini. Rehearsing Albrici in #chichester ahead of our Sound the Trumpet concert tonight! pic.twitter.com/KW9oOgb3ok— Spiritato! (@Spiritato) February 16, 2017H
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‘Bach’s Christmas Vespers 1723’ - Oxford Baroque - King’s Place

Oxford Baroque performed a programme entitled ‘Bach’s Christmas Vespers 1723’ on Saturday 10th of December 2016 at King’s Place - as part of the venue's ‘Baroque Unwrapped’ season. Jeremy Summerly conducted the choir and orchestra of Oxford Baroque throughout this fascinating programme which included liturgically-linked music by Bach, Franck, Gabrieli, Kuhnau, Praetorius and others.JS Bach
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Vivaldi - Gloria - St. Martin-in-the-Fields

I performed Vivaldi’s ‘Gloria’ with the Brandenburg Baroque Soloists at St. Martin-in-the-fields at 1900 on Thursday 15th of September 2016. The first half of the concert explored instrumental works by J.S. Bach. The Violin Concerto in E major (BWV 1042) and the 'Brandenburg Concerto No.3 in G major' (BWV1048) were finely-played and led by violinist, Persephone Gibbs.Oboist, Tony Robson and natural
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Prom 68 - Rossini - ‘Semiramide’ - Sir Mark Elder - Orchestra of the Age of Enlightenment

As a young lad, if I showed any reluctance to attend a rehearsal I was given the choice of: 'band, ballet or bed'. I ruled out ballet immediately and always chose band eventually. To a six-year-old, the prospect of going to bed early seemed like a punishment - how times change! Being allowed to stay up late was a privilege reserved for very special occasions - one such occasion being the Last Night
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B Minor Mass - St Albans

I performed at St Saviour's Church in St Albans on Saturday November 28 2015 at 7:30pm. Conductor John Gibbons conducted the St Albans Chamber Choir and the Lawes Baroque Players through J. S. Bach's B Minor Mass. The soloists were Bethany Partridge, Helen Charlston, Hiroshi Amako and Michael Craddock.
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Zelenka the Bohemian Bach - St. John's Smith Square & Bury Court Barn

Playing with ‘Spiritato!’ is becoming synonymous with performing innovative programmes in interesting settings. I participated in a project which involved two performances, the first of which was on October 20th in St. John’s Smith Square in London and the second was on November 1st at Bury Court Barn, in Bentley near Farnham in Surrey. The performances were presented by St. John’s Smith Square
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National Forum of Music - Wrocław - Opening Concert

It was an immense honour to perform in the opening concert of the new National Forum of Music (Narodowe Forum Muzyki) in Wrocław, Poland. The NFM is an incredible facility and a stunning addition to Wrocław's architectural skyline and musical culture. It will play a valuable role during Wrocław's 'European Capital of Culture' status in 2016.  The musicians of the Wrocław Baroque Orchestra
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Bach's Library - Brandenburg Concerto No. 2 with The Parley of Instruments

I performed with 'The Parley of Instruments', directed from the harpsichord by Peter Holman, in a performance of Bach's Brandenburg Concerto No.2 in F Major (BWV 1047) in a concert entitled 'Bach's Library' which was given for the participants of the Cambridge Early Music Summer School. The concert took place at 8pm on Wednesday 5th of August 2015 at Great St. Mary's in the Market Place in the magnificent
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Cambridge Baroque

The chapel in Trinity College in Cambridge was the venue for Cambridge Baroque's concert on Saturday evening. The concert featured music by Bach, Schütz and Gabrieli.I played the Cornetto in Gabrieli's 'O Magnum Mysterium' and I played the Natural Trumpet in the Schütz 'Christmas Story'. The trumpets symbolise the royalty of King Herod, and accompany him in his aria.I took the opportunity to arrive
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Berlin Photography & Berlin Musical Instrument Museum

Aside from a few rail trips that have passed through, I have seen little of Berlin outside of the Hauptbahnhof. I felt that it was a shame not to stop to see more on those visits, and I resolved to do just that on this occasion. Travelling to the Island of Usedom for the Usedomer Musikfest involved flights in and out of Berlin Tegel, so it seemed logical to extend my trip slightly (at no additional
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Katowice

I was invited to play Bach's Jauchzett Gott In Allen Landen (BWV 51) in Katowice in Poland. I had never been to Katowice before and I was scheduled to be in Wrocław the preceding day, so it fitted perfectly into my schedule.Upon my arrival to Katowice, I was welcomed by a lady who showed me the way to the hotel. At first we struggled to find a way through the major building works going on
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Steinmetz Natural Horn Making - with Graham Nicholson

Last summer, on my way to various concerts in Germany, I needed a few overnight stays in Holland. I was fortunate to be able to stay with Graham Nicholson in The Hague. While I was there he showed me two horns he had been making in his workshop; detailed replicas of instruments by Leichamschneider. We practiced duets for several hours using these instruments and they worked brilliantly.Over the summer
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Household Cavalry Masterclass

On Tuesday, 25th of March, I had the pleasure of giving a lecture and masterclass at Hyde Park Barracks for members of the Life Guards in the Household Cavalry and members of the Band of the Blues and Royals. I performed with the Altenburg Ensemble and we presented a short history of the Natural Trumpet, and then demonstrated each point using a suitable piece of music. We performed music by Bendinelli,
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Orfeo in Nancy

The first trip of this year was to Nancy in France, to perform in the Opera National du Lorrain. What a great way to get over the so-called 'January blues'!Opera National du LorrainThe group, 'Les Talens Lyriques' (led by Christophe Rousset) were great, both musically and organisationally. I was looked after very well, and they had provided accommodation a short walk from the opera house and each room
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Orchestra of the 18th Century

I had the opportunity to hear the Orchestra of the 18th Century under the inspiring leadership of Frans Brüggen. They were performing in the Polish Radio Studio 1, as part of the Chopin Piano Festival, 2013. Hearing the orchestra under Brüggen was the fulfilment of a long-held ambition, on account of their amazing recordings and excellent reputation. It was a real privilege to
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Concert at St. Thomas' Church

On Wednesday 5th of June at 19:30, Russell Gilmour and David Kilgallon will be performing lively and traditional celtic music for trumpet and organ in St. Thomas' Church in Douglas. Admission is free, and there will be an opportunity to sponsor our upcoming CD recording project upon exit. A great way for visitors to the Island to hear some of our musical heritage!
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Basilica di San Marco, Venice

By the time Giovani Gabrieli had died, St. Mark's Basilica was already 541 years old.The building, as I am sure you know, is colossally incredible. With over a million million pieces of mosaic on the ceilings and seven domes - it's a rather impressive sight. Look down and you also won't be disappointed: the intricate stone floor is detailed beyond comprehension. Architecturally, this building has a
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Per ardua ad astra

I've now graduated from the Royal College of Music. I went to the graduation ceremony, walked across the stage wearing the gown and hood, listened to some speeches, picked up my certificate, raised a glass with my course-mates and chatted to all and sundry.One of my fellow graduates asked me, "so, what will you be doing now that you've finished?" My answer to myself was simple: I haven't finished really.To
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