Bach - B Minor Mass - Roman River Music

Saturday saw glorious autumnal sunshine, so I took the opportunity to explore the hamlet of Flatford in the Stour Valley. I walked around the countryside that is synonymous with John Constable; it was Flatford where Constable painted his ‘Scene on a Navigable River’. After an enjoyable walk, I drove the few remaining miles to Stoke by Nayland (also in the Stour Valley, in Suffolk) where I would
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Vivaldi - Gloria - St. Martin-in-the-Fields - The English Baroque Choir

I performed Vivaldi’s Gloria with the Brandenburg Baroque Soloists at St. Martin-in-the-Fields on Thursday 28th of September 2017. The first half of the concert featured Vivaldi’s Four Seasons, led by violinist Persephone Gibbs. In the second half of the concert Jeremy Jackman conducted the English Baroque Choir and Brandenburg Baroque Soloists in Vivaldi’s Gloria. The soloists were Natasha Day
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Bach - Ein feste Burg ist unser Gott & Orchestral Suite No.4 - Le Concert Lorrain - Saarbrücken

Russell Gilmour, William Russell and Gareth Hoddinott travelled to Saarbrücken in Germany to perform with Le Concert Lorrain and the newly re-named BachChor Saarbrücken, with whom we have built up an excellent rapport over many years. The trumpet section was joined by timpanist Simon Stierle and it is always great to work with him. The performance took place at 6pm on Sunday 17th September 2017 in
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Bach - Gelobet sei der Herr, mein Gott (BWV 129) - Oxford Bach Soloists

Sunday 10th September 2017 saw a performance of J. S. Bach's 'Gelobet sei der Herr, mein Gott' [BWV 129] as part of the Lutheran Vespers at St Michael at the North Gate in Oxford. Oxford Bach Soloists, directed by Tom Hammond-Davies, performed the cantata liturgically as part of this 4pm service. The church was full to capacity.BWV 129 was written in 1724/5 for the Feast of the Trinity (possibly in
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Blackdowns Early Music Projects - Grand Baroque III - German Choral Masterworks - Exeter Cathedral

Exeter Cathedral was the venue for ‘Grand Baroque III’, a programme compiled by Blackdowns Early Music Projects which featured several ‘German Choral Masterworks’ from composers such as Rosenmüller, Schelle and Kuhnau. The performance took place at Exeter Cathedral on Monday 28th August 2017.The baroque orchestra consisted of the English Cornett and Sackbutt Ensemble, the Monteverdi String
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Bach - Magnificat (BWV 243) & Auf, schmetternde Töne der muntern Trompeten (BWV 207a) - Brandenburg Baroque Soloists - Wellington College

On Monday 21st of August 2017, I played first trumpet with the Brandenburg Baroque Soloists for a workshopped performance of Bach’s Magnificat in D Major (BWV 243). The performance was the culmination of a residential choral course for young singers at the stunning venue of Wellington College in Crowthorne, Berkshire and the group was directed by Ralph Allwood MBE.The choir took on the momentous
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Lully - Alceste, ou Le triomphe d’Alcide - Les Talens Lyriques

Following on from a residency at the Opera National du Lorrain in Nancy (2014), and a tour to Versailles and Vienna (2016), I joined Les Talens Lyriques for a third time; performing and recording Jean-Baptiste Lully's 'Alceste, ou Le triomphe d’Alcide' (1674) under the direction of Christophe Rousset.Lully's opera 'Alceste, ou Le triomphe d’Alcide' is a 'tragedy in music', with a
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I Fagiolini - Monteverdi - L'Orfeo - Cheltenham Festival

Robert Hollingworth led I Fagiolini’s performance of Monteverdi’s 'L’Orfeo' at Cheltenham Town Hall, as part of the Cheltenham Festival, on Sunday 9th July 2017.I performed the opening Toccata, without holes, alongside players from the English Cornett and Sackbutt Ensemble: Tom Lees, Emily White, Andy Harwood-White and Adrian France. In a slight difference to our other performances in Venice,
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Wedding - Fiori Musicali - St Peter's Church, Wolfhampcote

I performed at a wedding on Saturday 8th July 2017. The ceremony took place in the ancient (and now almost redundant) St Peter's Church in Wolfhampcote in Warwickshire. The Church is near the county border, close to Braunston and Daventry in Northamptonshire. The presence of St Peter's Church in Wolfhampcote is noted in the Domesday Book and the oldest parts of the current church building date from
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Handel & Purcell - Royal Hospital Chelsea

I performed with The Wren Players at the Royal Hospital in Chelsea on Tuesday 4th of July 2017. The evening of music began at 18:30 with an outdoor performance in the Royal Hospital’s ‘Figure Court’. It was a beautiful and warm evening. The outdoor performance included a selection from Handel’s Water Music (D Major suite) and his Music for the Royal Fireworks:Water Music - D major suiteAllegroAlla
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Haydn - The Creation - Lea Singers

The Lea Singers performed Haydn's 'Creation' in St. John's Church in Southdown near Harpenden on Saturday 24th of June 2017. Victoria Longdon conducted the choir, orchestra and soloists: Vanessa Bowers (Gabriel & Eve), Ruairi Bowen (Uriel) and Marcus Farnsworth (Raphael & Adam). The group had chosen to perform an English version of the text, rendered by Paul McCreesh. "Haydn's 'Creation' was
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Purcell - King Arthur - Vox Luminis - Snape Maltings - Aldeburgh Festival

I was invited to join Vox Luminis for their performance of Purcell’s 'King Arthur' at Snape Maltings on Thursday 22nd of June 2017, as part of the Aldeburgh Festival. The festival is celebrating the 50th anniversary of music at Snape Maltings - one of the earliest examples of an ex-industrial building being repurposed as a performance space.I was delighted to perform with Vox Luminis. I was deputising
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Handel - Coronation Anthems - Eton College Chapel

I performed with the Brandenburg Baroque Soloists at Eton College on Thursday 15th of June 2017 at 8:45pm. The performance of Handel’s 'Coronation Anthems' took place in the magnificent Chapel of Eton College.The chorus was directed by Matthew O'Donovan, who brilliantly directed the 14-piece period-instrument orchestra, led by violinist Walter Reiter.I first met Walter Reiter at Dartington International
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Bach - B Minor Mass - Barts Choir - St. James's, Sussex Gardens

I played first trumpet in Bach’s B Minor Mass at St James’s Church, Sussex Gardens, London. The performance was directed by Ivor Setterfield. He led the Barts Choir and the Trafalgar Baroque Ensemble throughout a day of enjoyably intensive rehearsals on Saturday 10th June 2017. The performance took place at 6:30pm and the project raised funds for the charity Mind.Beautiful church, stunning
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Handel - Messiah (Dublin Version) - Solomon's Knot - Halle & Regensburg

I performed with Solomon’s Knot in Halle (Saale) and Regensburg in Germany. We performed the Dublin version (1742) of Handel’s ‘Messiah’ in the Dom zu Halle as part of the Halle Händel-Festspiele on Friday 2nd of June. Two nights later we performed in the Dreieinigkeitskirche in Regensburg as part of the Tage Alter Musik festival. Rehearsals took place in London and the group worked
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I Fagiolini - Monteverdi - L'Orfeo - Purbeck

Following on from previous performances in Venice and London, I Fagiolini performed Monteverdi’s 'L’Orfeo' in the historic market town of Wareham in Dorset on Saturday 3rd June 2017. The performance took place as part of the Purbeck Art Weeks festival at Lady St Mary’s, Wareham.I performed the opening Toccata with players from the English Cornett and Sackbutt Ensemble, on  natural
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Bach - Ascension Oratorio - American International Church, London

The American International Church on Tottenham Court Road welcomed the City Bach Collective for a performance of J. S. Bach's 'Ascension Oratorio' [BWV 11] on Sunday 21st May 2017. The performance took place as part of the 11am service.It was directed by the American International Church's Director of Music, Scott Stroman, who also gave an informative and entertaining 'Children's Sermon'.
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I Fagiolini - Monteverdi - L'Orfeo - London Festival of Baroque Music

Robert Hollingworth’s ensemble I Fagiolini gave a semi-staged performance of Monteverdi’s L’Orfeo in the London Festival of Baroque Music at St. John’s Smith Square on Thursday 18th May 2017. The brilliant Matthew Long performed the role of Orfeo.I performed the clarino part in the opening Toccata, playing the natural trumpet (without holes) with players from the English Cornett and Sackbutt
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Göttingen International Handel Festival - 2017 - Galakonzert with Dominique Labelle

I travelled to the wonderful University City of Göttingen in Germany to perform with FestspielOrchester Göttingen (FOG) directed by Laurence Cummings. It was delightful to be back at the Göttingen International Händel Festival having enjoyed performing in the 2014 and 2015 festivals.The Galakonzert took place at the Stadthalle on Saturday 13th of May 2017 and it marked the opening of the Göttingen
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Bach - B Minor Mass - New London Singers - St. Martin-in-the-Fields

I played first trumpet in Bach’s ‘B Minor Mass’ in a performance at St. Martin-in-the-Fields in London on Thursday 20th of April 2017. Ivor Setterfield directed the The New London Singers, the Trafalgar Baroque Ensemble and the soloists: Grace Davidson (Soprano), Timothy Morgan (Countertenor), Peter Kirk (Tenor) and Timothy Nelson (Bass).Et in terra pax! Still time to join us tonight in London
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Mozart - Coronation Mass - St. Anne’s Kew Green

‘Gloria in Excelsis’, ‘Sanctus’ and ‘Agnus Dei’ from Mozart’s ‘Coronation Mass’ (K.317) were performed as parts of the Easter Sunday service (Sung Eucharist with Holy Baptism) at the Parish Church of St. Anne in Kew Green on Easter Sunday, 16th April 2017. I played first trumpet in the orchestra, directed by Chad Kelly. The Choir of St. Anne’s Kew Green sang brilliantly under Chad’s
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Christ Lag in Todes Banden & Easter Oratorio - Oxford Bach Soloists

I performed with the Oxford Bach Soloists on the cornetto and natural trumpet. The group performed two contrasting works by Johann Sebastian Bach: ‘Christ Lag in Todes Banden’ (BWV 4) and the Easter Oratorio (BWV 249). The performance was conducted by Tom Hammond-Davies and took place at New College, Oxford on Easter Saturday: 15th April 2017. The concert began with the première of ‘Roads Shining
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Handel - Dettingen Te Deum & Bach - Magnificat - Cadogan Hall

Goldsmiths Choral Union and the orchestra, 'Musicians of London' performed Handel's 'Dettingen Te Deum', Handel's 'Te Deum in A' and Bach's 'Magnificat' at Cadogan Hall in London on Wednesday 5th of April 2017.Brian Wright conducted the choir, orchestra and their excellent group of soloists: Rachel Ambrose Evans (soprano), Ruth Provost (soprano), Benjamin Williamson (countertenor), Peter Harris (tenor)
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Handel - Belshazzar - St. James's Piccadilly

It's always an exciting prospect to explore a lesser-known work by Handel. On this occasion, I performed Handel's oratorio 'Belshazzar' (HWV 61) from 1744, with the chorus 'Petros Singers' in a performance at St. James's Piccadilly on Saturday 25th of March 2017. Petros Singers take great pride in performing repertoire that is "often idiosyncratic, eschewing the typical canonical works in order to
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Haydn - Creation - Eton College

I performed with The Brandenburg Classical Players at Eton College on Tuesday 21st March 2017 at 8:15pm. The performance of Haydn's Creation took place in the magnificent School Hall of Eton College.The chorus was formed of the Eton College Musical Society, The Taplow Youth Choir and Wycombe Abbey School. Ed Yeo conducted the combined choirs and The Brandenburg Classical Players - all were on good
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Handel - Messiah - Wimbledon - Sonoro & Wimbledon Community Chorus

I played first trumpet in a performance of Handel’s Messiah on Saturday 18th of March 2017 at St. John’s Church, on Spencer Hill in Wimbledon. The performance involved members of the pro-choir Sonoro, the Wimbledon Community Chorus and the Sonoro Baroque Ensemble, led by Susie Carpenter-Jacobs.The performance was conducted by one of the Artistic Directors of Sonoro, Neil Ferris [who has recently
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Warwick - Haydn & Mozart

I performed Haydn’s ‘Nelson Mass’ and Mozart’s ‘Requiem’ at St Mary’s Collegiate Church in the Old Square in Warwick on Saturday 11th of March 2017. Thomas Corns directed the Choirs of St Mary’s Collegiate Church and the period instrument orchestra, led by Lucy Russell.Imogen Russell (soprano)Judy Brown (mezzo-soprano)Matthew Sandy (tenor)Edmund Saddington (bass)For Mozarts Requiem’
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Vivaldi - Gloria - St. Martin-in-the-Fields

Performing at St. Martin-in-the-Fields is always a privilege. The site on the North-East corner of London's iconic Trafalgar Square has a fascinating history dating back to Roman times (c.410 AD). A magnificent example of Neoclassical architecture, the current building was designed by architect James Gibbs and construction was completed in 1726.Concerts at St. Martin-in-the-Fields tend to attract sizeable
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Spiritato! - ‘Sound the Trumpet’ - Chichester Assembly Room

I performed the 'Sound the Trumpet' programme with ‘Spiritato’ at the Chichester Assembly Room on Thursday the 16th of February 2017. The evening included works by Purcell, Corbett, Rebel, Fantini, Legrenzi, Albrici, Matheis and Franceschini. Rehearsing Albrici in #chichester ahead of our Sound the Trumpet concert tonight! pic.twitter.com/KW9oOgb3ok— Spiritato! (@Spiritato) February 16, 2017H
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Spiritato! - HIP Class - Royal Academy of Music

On Thursday 9th of March 2017, I was involved in delivering a Historically Informed Performance Class at the Royal Academy of Music in London. Four members of the period-instrument ensemble ‘Spiritato!’ talked about their recent ‘Guts & Glory’ project - which involved discussing many of the key aspects of being a Historically Informed performer. The class focused on the pros and cons of
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Bach - Magnificat & Ich hatte viel Bekümmernis - St. Martin-in-the-Fields

On Saturday the 28th of January 2017, I performed Bach’s Magnificat [BWV 243] and the Cantata: Ich hatte viel Bekümmernis [BWV 21] at St. Martin-in-the-Fields as part of the Brandenburg Choral Festival of London.Bach's Magnificat is, of course, very well-known and it pairs excellently with BWV 21. I played a very similar programme (although it was the E-flat Magnificat) at the Leipzig BachFest
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New Year Concert - Saarbrücken - Handel - Messiah

The Evangelische Chorgemeinschaft an der Saar and Le Concert Lorrain invited me to perform in their New Year Concert, at the Congreßhalle in Saarbrücken. It took place on the Saturday 7th of January 2017. The group, directed by Georg Grün, performed Handel’s ‘Messiah’ with notable soloists from the UK and Germany.The trumpet section consisted of Russell Gilmour (1st trumpet) and William Russell
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Handel & Bach - St. Anne's Kew Green

December 2016 has consisted of several Messiah, B Minor Mass, Magnificat and Christmas Oratorio performances. The final concert before the festive season offered a similarly balanced variety of music from Handel and Bach. It featured Part I of Handel's Messiah in the first half and Bach's Magnificat in D [BWV 243] in the second half. The performance took place at St. Anne's in Kew Green, London on
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Bach - Weihnachtsoratorium - Luxembourg & Metz

After two days and two Weihnachtsoratorium performances in Germany, I travelled on to Luxembourg by train and car to join a different Weihnachtsoratorium project, this time with Le Concert Lorrain on Monday 19th of December 2016. From the starting point in Halle I went by train to Köln via Hannover - where I met the third trumpet player, Gareth. From the outskirts of Köln, we met the conductor who
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Bach - Weihnachtsoratorium - Zerbst & Halle

I performed Bach's Weihnachtsoratorium [BWV 248, Cantatas I–III & VI] with the Halle Händelfestpiele Orkester in Zerbst (17th December 2016) and Halle (18th December 2016) in Germany. I had been invited to play with the orchestra as their guest principal trumpet player. The Stadtsingechor zu Halle and the choir of Halle University joined forces to sing the Christmas Oratorio,
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Handel - 'Messiah' - Part I - Magdalen College Chapel, Oxford - Oxford Baroque

On Thursday 15th of December 2016, I performed Part I of Handel’s ‘Messiah’ in the majestic chapel of Magdalen College, Oxford. The performance featured the magnificent Choir of Magdalen College, four soloists and the orchestra, Oxford Baroque.The choir and the orchestra - led by violinist Claudia Norz - performed from the nave of the chapel with trumpeters Russell Gilmour and William Russell
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B Minor Mass - Solomon’s Knot - Shoreditch Town Hall

Solomon’s Knot Baroque Collective performed Bach’s B Minor Mass on Sunday the 11th of December 2016 at Shoreditch Town Hall in London. This, the penultimate concert of Spitalfields Music’s Winter Festival 2016, had been selected by The Times as their 'top pick' in the Classical column (written by Richard Morrison).© James BerrySolomon's Knot brought their characteristic - now trademark
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‘Bach’s Christmas Vespers 1723’ - Oxford Baroque - King’s Place

Oxford Baroque performed a programme entitled ‘Bach’s Christmas Vespers 1723’ on Saturday 10th of December 2016 at King’s Place - as part of the venue's ‘Baroque Unwrapped’ season. Jeremy Summerly conducted the choir and orchestra of Oxford Baroque throughout this fascinating programme which included liturgically-linked music by Bach, Franck, Gabrieli, Kuhnau, Praetorius and others.JS Bach
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Spiritato - Guts & Glory - York Early Music Winter Festival

Spiritato’s final 2016 performance of their ‘Guts & Glory’ programme opened the York Early Music Winter Festival on Thursday 8th of December 2016 at St. Margaret’s Church in York - home of the National Centre for Early Music (NCEM). The ensemble was led by the wonderful violinist Kinga Ujszaszi.The fun Guts and Glory project finished for 2016 in York last night. Thank you guys for all your
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Handel - Messiah - Schola Cantorum - Cardinal Vaughan Memorial School

I performed Handel’s ‘Messiah’ at St. Gabriel’s Church in Pimlico on Tuesday 6th of December 2016. The orchestra ‘Spiritato!’ and the Schola Cantorum of the Cardinal Vaughan Memorial School was conducted by Scott Price, Director of Music of the Cardinal Vaughan Memorial School. Photography by Weenson OoThe boys of the Schola Cantorum sang all of the arias, recitatives and choruses in
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Handel - Messiah - Voces8 - The Gresham Centre

The Gresham Centre at the church of St Anne & St Agnes (near the old city wall of London) was the venue for Voces8's performance of Handel's 'Messiah' on Monday the 5th of December 2016. According to the Gresham Centre's website, there has been a church on this site since 1137 - though it has been rebuilt several times due to fire (including the 1666 Great Fire of London) and the Blitz of the Second
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Bach - Christmas Oratorio - Exeter Cathedral

Devon Baroque and Exeter Festival Chorus performed J S Bach's Christmas Oratorio in Exeter Cathedral on Saturday 3rd December 2016. The performance was directed by Aidan Oliver.The Exeter Festival Chorus did an excellent job and the soloists, Anna Patalong (soprano), Kate Symonds-Joy (alto), David Webb (tenor) and Benedict Nelson (bass) were all very good too.The guest conductor, Aidan Oliver, had
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Handel - Deborah - Newcastle Upon Tyne

The Newcastle Upon Tyne Bach Choir performed George Frederic Handel's oratorio 'Deborah’ [HWV 51] in the King's Hall at Newcastle University on Saturday 16th of November 2016. Eric Cross conducted the choir and the orchestra: Newcastle Baroque. We were joined by excellent soloists: Charlotte La Thrope (Soprano - Deborah), Ruth Jenkins-Róbertsson (Soprano - Jael), Rosanna Cooper (Mezzo-Soprano -
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Handel - Messiah - Esher

Venturing into the 18th Century, the Monteverdi String Band performed Handel’s ‘Messiah’ with The Ripieno Choir (directed by David Hansell) in the London suburb of Esher on Saturday 19th of November 2016. The Monteverdi String Band was joined by two oboes, a bassoon, two trumpets and timpani for the performance of Handel’s glorious ‘Messiah’.Wonderful evening yesterday venturing into the
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Haydn - The Creation - Middle Temple Hall

Wednesday 16th of November 2016 saw a performance of 'The Creation’ by Joseph Haydn at the ancient and magnificent Middle Temple Hall in London. Greg Morris directed the Temple Players and the Bar Choral Society through this miraculous work with great energy.The Bar Choral Society’s Autumn Concert featured soprano Amy Haworth, tenor Andrew Tortise and bass DeAndre Simmons - the latter joining us
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Croft - Te Deum & Torelli - Trumpet Sonata - St. Andrew’s Church - Cheam

The Little Baroque Company, led by Kinga Ujszaszi, performed with the St. Cecilia Chorus on Saturday 12th of November at St. Andrew’s Church in Cheam. The evening, conducted by Jonathan Rennert promised ‘festive and celebratory music from the first half of the 18th century… predominantly bright in mood, with brilliant orchestral colour, often featuring trumpets.'The ensemble performed William
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Spiritato - Guts & Glory - Brighton Early Music Festival 2016

Spiritato's tour of the 'Guts & Glory' programme continued on Friday 11th November 2016 at St. George’s Kemp Town, in Brighton. The performance was part of the Brighton Early Music Festival 2016.Brighton Early Music Festival had chosen the theme of ‘Nature & Science’ for their 2016 festival, exploring observation, discovery, invention and creation. In the spirit of innovation, Spiritato
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Spiritato - Guts & Glory - St. George’s Bristol

St. George’s in Bristol was the venue for the most recent performance of Spiritato’s 'Guts and Glory' programme. Click here to read an older post about this programme.The concert took place on the 9th of November 2016 in this magnificent venue in the vibrant city of Bristol. Spiritato performed the programme with vigour and assurance, informing and delighting the audience along the way. The programme
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Vivaldi - Gloria & Concerto for Two Trumpets in C Major - Chichester

Trumpeters Russell Gilmour and William Russell travelled to Chichester on Saturday 5th November 2016, to be involved in a concert entitled ‘Gloria’, hosted by the choir 'Chichester Voices’ and their director Andrew Naylor. The all-Vivaldi programme was performed in St. George’s Church on Cleveland Road and featured Vivaldi’s: ‘Magnificat’, ‘Concerto for Two Trumpets in C Major’, ‘Beatus
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Haydn & Mozart - Cadogan Hall

Cadogan Hall was the venue for a concert given by Goldsmiths Choral Union, celebrating the 70th birthday of their acclaimed and longstanding Musical Director, Brian Wright. The programme consisted of Haydn’s 'Nelson Mass' and Mozart’s ‘Requiem’. The choral union was accompanied by the ‘Musicians of London’ orchestra.The period-instrument orchestra featured a fantastic obbligato from Martyn
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Mozart Requiem - St. Anne’s Church, Kew Green

A performance of Mozart’s ‘Requiem’ took place at St. Anne’s in Kew Green for the 'commemoration of the faithful departed’ service on All Souls’ Day. The Requiem Mass was held from 18:30 until 19:30 on Sunday 30th of October 2016.Chad Kelly directed the St. Anne's Choir and an orchestra of reduced forces (namely: Violin I, Violin II, Viola, Cello, Cor Anglais I, Cor Anglais II, Bassoon
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Wedding at St. Peter’s Church, Sibton

I performed at the marriage of Cleo Rose Brock-Abraham and James Andrew Talbot on 22nd October 2016 at St. Peter’s Church in Sibton, Suffolk. Leos Strings [@Leos_Strings] performed music as the wedding guests arrived at the church. As the family entered, they played Bach’s ‘Air on the G String’ and a processional ‘Trumpet Tune’ by Purcell was performed for the entrance of the bridesmaids
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Salieri - ‘Les Horaces’ - Les Talens Lyriques - Versailles & Vienna

Christophe Rousset’s orchestra, Les Talens Lyriques [@talenslyriques] invited me to play in their project comprising two performances and a recording of the opera ‘Les Horaces' (1786) by Antonio Salieri (1750 - 1825).On the 10th of October 2016, I travelled from London to Paris on the Eurostar [a marvel of railway engineering that I never fail to be impressed by]. Rehearsals with Les Talens Lyriques
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Vivaldi - Gloria - St. Martin-in-the-Fields

I performed Vivaldi’s ‘Gloria’ with the Brandenburg Baroque Soloists at St. Martin-in-the-fields at 1900 on Thursday 15th of September 2016. The first half of the concert explored instrumental works by J.S. Bach. The Violin Concerto in E major (BWV 1042) and the 'Brandenburg Concerto No.3 in G major' (BWV1048) were finely-played and led by violinist, Persephone Gibbs.Oboist, Tony Robson and natural
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Scarlatti, Handel & Bach - University of York

I performed with Kasia Slawski (Soprano) in her Final MA Recital which took place at the Sir Jack Lyons Concert Hall at the University of York on Monday 12th of September.Kasia had chosen to sing music by Scarlatti, Handel and Bach. She was accompanied by Peter Seymour on the Harpsichord and Organ, and by myself (Russell Gilmour) on Baroque Trumpets in C and in D.Her recital began with two movements
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Prom 68 - Rossini - ‘Semiramide’ - Sir Mark Elder - Orchestra of the Age of Enlightenment

As a young lad, if I showed any reluctance to attend a rehearsal I was given the choice of: 'band, ballet or bed'. I ruled out ballet immediately and always chose band eventually. To a six-year-old, the prospect of going to bed early seemed like a punishment - how times change! Being allowed to stay up late was a privilege reserved for very special occasions - one such occasion being the Last Night
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Hampton Court Palace - Tudor Music

I performed Tudor music from the time of King Henry VIII at Hampton Court Palace on Saturday 16th and Sunday 17th of July 2016. I played the natural trumpet and the cornetto in several different formations of ensemble, in various locations around the palace and grounds. Other colleagues played upon the sackbutt, lute, tenor drum, tambourine, bagpipe and hurdy-gurdy, showing a selection of the instruments
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Bach - Magnifcat & Brandenburg Concerto No.2 - Winchester Cathedral - Ars Eloquentiae

Zelenka - HypocondrieBach - Magnificat in DBach - Brandenburg Concerto No. 2- Interval -Handel - Dixit DominusArs Eloquentiae and the Southampton Philharmonic Choir performed a programme of demanding choral and instrumental works on Saturday 18th of June 2016. The 7:30pm concert in Winchester Cathedral was attended by a substantial and ethereally back-lit audience. As the concert began the sun was
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Solomon’s Knot - Nikolaikirche - Leipzig Bachfest 2016

The baroque collective Solomon’s Knot performed on the second day of Leipzig’s Bachfest, giving a concert on Saturday, 11th of June 2016 in the Nikolaikirche. The singers performed the entire concert from memory and the conductorless ensemble wowed the Leipzig audience with what the Leipzig Bachfest described as an ‘outstandingly vivid’ performance. The response from the audience was overwhelming
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Vivaldi Dixit Dominus & Bach Magnificat - St Sepulchre-without-Newgate

On Saturday 21st May 2016 I performed with Sinfonia Britannica in the National Musicians’ Church in London, otherwise known as St Sepulchre-without-Newgate on Holborn Viaduct.Soloists: Miriam Allan, Elizabeth Weisberg, Cathy Bell, Greg Tassell and Julian DebreuilJoanna Tomlinson directed the large and enthusiastic voices of the Constanza Chorus through three demanding works: Vivaldi’s ‘Dixit
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Guts & Glory - Spiritato!

Last week saw the realisation of Spiritato’s innovative ‘Guts and Glory’ project. Exploring ‘equal tension’ strings and using natural trumpets without finger holes, the group devised and delivered a programme of 17th Century music by Biber, Schmelzer, Vejvanovsky and Bertali.The project began with an open rehearsal and discussion event on Friday 8th April 2016 in which Spiritato welcomed
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Yorkshire Bach Choir & Yorkshire Baroque Soloists - Bach - Ascension & Easter Oratorio

I left home very early on Saturday morning to be able to spend the morning in York before rehearsing and performing there. I had arranged to meet my friend from the Isle of Man (Matthew) and we both arrived in York at 0930. We had a good breakfast before visiting the National Railway Museum and we had a brief wander around York before my rehearsal. With the recent media coverage of the completion and
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New Year Concert - Saarbrücken - Bach & Vivaldi

I visited Germany to play in a New Year Concert at the Congreßhalle in Saarbrücken. It was held on Sunday 2nd of January 2016. I played in the equivalent concert last year, on the 1st of January 2015 - when it was held in the Ludwigskirche in Saarbrücken. The initial idea had been to perform Handel’s Messiah in the 2016 concert, but unfortunately the Congresshalle had already recently hosted a
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‘Christmas in Leipzig’ - Solomon’s Knot - Schelle, Kuhnau, Bach - St. John’s Smith Square Christmas Festival

The ‘baroque collective’ Solomon’s Knot gave a performance entitled ‘Christmas in Leipzig’ on Monday 21st December 2015 as part of St. John’s Smith Square’s 30th Christmas Festival. The concert featured music by three composers who consecutively held the position of Kantor at the Thomaskirche in Leipzig: Johann Schelle, Johann Kuhnau and Johann Sebastian Bach."This concert gives us a
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Handel - Messiah - Kew Green - Ars Eloquentiae

On Saturday 19th of December 2015, I performed Handel's 'Messiah' at St. Anne's Church in Kew Green, London, with the group Ars Eloquentiae.The performance was directed by the wonderfully energetic Chad Kelly. He lead the ensemble and small chorus through this work from the chamber organ at the front - leading with clarity and excitement. After several encouraging gestures and glances from the director,
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Handel - Messiah - Peterborough Cathedral - The Saraband Consort

I played first trumpet in Handel’s Messiah in Peterborough Cathedral on Friday 18th of December 2015. The performance was one of the most enjoyable of the whole season on account of the glorious acoustic and due to the high standard of the combined forces of the Peterborough Cathedral Choir, Youth Choir and Festival Chorus. The soloists were all excellent: Soprano - Robyn Allegra Parton, Alto - Owen
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Spitalfields Music - Bach - Christmas Oratorio - Solomon’s Knot

The final concert of Spitalfields Music’s Winter Festival was given by the Baroque Collective - ‘Solomon’s Knot’ on Tuesday 15th of December 2015 at Shoreditch Church (St Leonard’s) in London. This was Solomon’s Knot’s debut at Spitalfields Music.The group performed parts I, III, V and VI from Bach’s Christmas Oratorio without a conductor and the eight singers performed the whole concert
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Handel - Messiah - St. Mary Abbots Church, London

I played first trumpet in Handel's Messiah with the Purcell Orchestra on Sunday the 13th of December 2015 in St. Mary Abbots Church, near High Street Kensington in London.The choir were a small and excellent group of vocalists, called the 'St Mary Abbots Singers'. They sailed their way through the Messiah under the clear direction of their conductor Mark Uglow. It was a very pleasant performance and
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Messiah - Old Royal Naval Chapel, Greenwich

I participated in a performance of Handel's Messiah in Greenwich, London. The Dulwich Choral Society performed this seasonal favourite on Saturday 12th of December 2015 in the beautiful and highly ornate Chapel of the Old Royal Naval College in Greenwich.We hope you enjoyed our Messiah last night. We're now looking forward to our Dove and Orff concert on Sat 12th March pic.twitter.com/4YgjwGijfC—
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Baroque Christmas - Sherborne Abbey

Sherborne Abbey was the magnificent venue for a concert entitled ‘Baroque Christmas’ on Saturday 5th of December 2015 at 7:30pm. The concert was given by the Sherborne Chamber Choir, the ensemble ’In Echo’ [founded by Gawain Glenton who is now a resident of Sherborne] and trumpet players from the Altenburg Ensemble. The advertising for the concert had invited the audience to ‘join us as we
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B Minor Mass - St Albans

I performed at St Saviour's Church in St Albans on Saturday November 28 2015 at 7:30pm. Conductor John Gibbons conducted the St Albans Chamber Choir and the Lawes Baroque Players through J. S. Bach's B Minor Mass. The soloists were Bethany Partridge, Helen Charlston, Hiroshi Amako and Michael Craddock.
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Spiritato! - Hackney Proms - 'Gulliver’s Travels: A voyage to Lilliput’

‘Spiritato!’ performed a family-orientated programme as part of the ‘Hackney Proms’ at Stoke Newington Town Hall on at 13:15 on Sunday 22nd November 2015. The programme was entitled ‘Gulliver’s Travels: A voyage to Lilliput’.The programme consisted of many short movements that fitted around a script - which was excitingly narrated by Will Russell (dressed as Gulliver). The lively narration
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Purcell - Hail Bright Cecilia - Middle Temple Hall

In what has been a busy week, I returned (early in the morning) from Wrocław in Poland to the United Kingdom for a concert on Thursday 19th of November 2015. I returned to the Temple area in London to perform just a few metres away from where I performed ‘Let the Bright Seraphim’ and Vivaldi’s ‘Gloria’ on Monday 16th of November 2015. This time it was with slightly different forces (The
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Gorczycki - Completorium - National Forum of Music, Wrocław

I travelled to Wrocław in Poland to perform Grzegorz Gerwazy Gorczycki's 'Completorium' in a concert of chamber music, played in the Red Hall (Sala Czerwona) at the National Forum of Music (Narodowe Forum Muzyki). The concert was given on the 18th of November 2015 and it marked the 50th Anniversary of a message being sent from Polish Bishops to German Bishops after World War 2.'Chamber concert
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Let the Bright Seraphim & Vivaldi Gloria at Temple Church

London's Temple Church was the venue for a concert given by The Bar Choral Society and The Temple Players on Monday 16th of November.The Bar Choral Society, formed in 2014, is a musical collaboration of barristers, judges, other people who work within the legal profession and their family members."The Society rehearses and performs in Temple Church which has a long association with the Law, providing
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Handel - Messiah - Ars Eloquentiae - Basingstoke Choral Society

At 7pm on Sunday the 15th of November I played first trumpet in a Messiah at ‘The Anvil’ in Basingstoke. The performance was given by the orchestra Ars Eloquentiae and the Basingstoke Choral Society and was directed by David Gibson. Details from the Basingstoke Choral Society website (below) had outlined their aims for the work and I would like to congratulate them on achieving them - it was a
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Roman, Zelenka & C.P.E Bach in Great Malvern

On Saturday 14th November 2015, I played Roman’s Drottingholm Music, Zelenka’s Missa Paschalis and Carl Philipp Emanuel Bach’s Magnificat in a trumpet section with Richard Fomison and Matt Wells. We were playing under the directorship of Richard Knight at the Malvern Theatres in Great Malvern. The concert was given by the Malvern Festival Chorus and The Musical and Amicable Society. I had never
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I Fagiolini - Monteverdi - L'Orfeo - Scuola Grande di San Giovanni Evangelista, Venice

“I exhibite in this my Journall to your Princelie view, that most glorious, renowned, Virgin Citie of Venice, the Queene of the Christian world, that Diamond set in the ring of the Adriatique gulfe, and the most resplendent mirrour of Europe…”- Thomas Coryate, c.1608There are few places in the world that are as instantly recognisable. Venice is a paradise for the eyes and for the ears. As a photographer
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Messiah - Royal Hospital Chelsea

Was today, 4th November 2015, the beginning of the ‘Messiah season’ this year? Quite possibly, but it began in style at the Royal Hospital in Chelsea. The Messiah was directed by William Vann, who holds the Director of Music and Organist position there. I played in a section with Richard Fomison and Robert Howes (Timpani). There were many familiar faces in the choir and orchestra including many
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Zelenka the Bohemian Bach - St. John's Smith Square & Bury Court Barn

Playing with ‘Spiritato!’ is becoming synonymous with performing innovative programmes in interesting settings. I participated in a project which involved two performances, the first of which was on October 20th in St. John’s Smith Square in London and the second was on November 1st at Bury Court Barn, in Bentley near Farnham in Surrey. The performances were presented by St. John’s Smith Square
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Eternal Source of Light Divine at Temple Church, London

I played for the blessing of the marriage of Manuela Brigitta Sells-Rohrbach and Jonathan Edwin Litchfield Sells-Rohrbach at the Temple Church in London on Saturday 17th of October 2015 at 2pm.The groom, Jonny Sells, is the musical director of 'Solomon's Knot' and resultantly the service was filled with musical excitement. There was an eight-piece choir from Solomon's Knot. The ensemble also included
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Spiritato! - Sound the Trumpet at Wiltshire Music Centre

On Wednesday 30th of September I performed with 'Spiritato!' in their lunchtime concert at the Wiltshire Music Centre, Bradford-on-Avon. The concert, entitled 'Sound the Trumpet', included music by Purcell, Corbett, Matteis, Albrici and Francescini. It explored the links between English and Italian styles.We had performed similar programmes to this earlier this year at the Forge in Camden and at the
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Cantus Thüringia - Johann Peter Kellner - Gräfenroda

I travelled to the Thüringen region of Germany to participate in Cantus Thuringia's project; to perform and record music by Johann Peter Kellner (1705-1772). The project took place in the village of Gräfenroda, where Kellner was born and we performed in the church in which Kellner worked as the Cantor from 1732. The village of Gräfenroda is around 50 kilometres South-West of Weimar and it is set
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OAEducation - St. Mary Brookfield - London

On Saturday 19th of September, I performed with the Orchestra of the Age of Enlightenment in their 'Water Cycle' Education project. The event took place in St. Mary Brookfield church (NW5) at 6pm. The trumpet section consisted of William Russell, myself, Adrian Woodward and Adrian Bending on Timpani. We played Händel's 'Zadok the Priest' and excerpts from Purcell's 'The Fairy Queen'. Will had more
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Interpretation Course - Míča & Telemann - Wratislaia Cantans, Wrocław

The Wratislavia Cantans festival, now celebrating its 50th year, has a long tradition of holding an 'Interpretation Course' for young instrumentalists and singers to perform cantatas and oratorios. The importance of this course became quickly apparent in the first ever festival, where the participants of the course had to spring into action to replace an orchestra that could not get to Wrocław in
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National Forum of Music - Wrocław - Opening Concert

It was an immense honour to perform in the opening concert of the new National Forum of Music (Narodowe Forum Muzyki) in Wrocław, Poland. The NFM is an incredible facility and a stunning addition to Wrocław's architectural skyline and musical culture. It will play a valuable role during Wrocław's 'European Capital of Culture' status in 2016.  The musicians of the Wrocław Baroque Orchestra
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Grand Baroque II - Exeter Cathedral - Blackdowns Early Music Projects

Exeter Cathedral was the venue for a concert entitled 'Grand Baroque II', organised by Blackdowns Early Music Projects. It was the sequel to their successful debut concert in 2013.The Altenburg Ensemble, consisting of Steve Bailey, Steve Burke, Steve Gilbey, myself, Katie Hodges, William Russell and guest player Jean-François Madeuf, opened the concert with a performance of Biber's Sonata for 6 trumpets
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Prince of Denmark's March - Lady Margaret Hall, Oxford University

I performed Clarke's "Prince of Denmark's March" at the wedding of Karen Clarke and Paul Taylor at Lady Margaret Hall in Oxford on Saturday 29th of August 2015. I performed alongside a professor of music from Oxford University who is the resident organist at Lady Margaret Hall, Dr. Nicholas Prozzillo.As well as being a fabulous day for the happy couple it was also a great excuse for me to spend time
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Bach's Library - Brandenburg Concerto No. 2 with The Parley of Instruments

I performed with 'The Parley of Instruments', directed from the harpsichord by Peter Holman, in a performance of Bach's Brandenburg Concerto No.2 in F Major (BWV 1047) in a concert entitled 'Bach's Library' which was given for the participants of the Cambridge Early Music Summer School. The concert took place at 8pm on Wednesday 5th of August 2015 at Great St. Mary's in the Market Place in the magnificent
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Clarke - Prince of Denmark's March - Christ's Chapel, Dulwich

I performed Clarke's "Prince of Denmark's March" at the Wedding of Carrie Smith and Damian King at Christ's Chapel in Dulwich, South East London.I enjoy playing this kind of processional music and on this occasion it made for a triumphant start to the wedding ceremony. I was accompanied by Alexander Ffinch, an excellent organist. He was playing the chapel's 18th Century organ, originally built by George
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H. Finke Coiled Trumpets

On Wednesday 1st July 2015, I finished teaching for the day and I noticed a missed call on my iPhone. It was from my former teacher Michael Laird. I called him back as I walked to the railway station and he told me, now that he had turned 75, he would be retiring from trumpet playing entirely. He explained that he had played since he was 15 years old and now, 60 years on, it was time to stop playing
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Handel Messiah with Oxford Baroque and the Choir of Magdalen College

I performed Handel’s Messiah with Oxford Baroque on Monday 29th of June 2015 at the Church of St John the Evangelist on Iffley Road as part of the MCS Arts Festival 2015. The orchestra accompanied singers from the Choir of Magdalen College and the performance was directed from the harpsichord by Daniel Hyde.St John the Evangelist is a beautiful venue. It has a very peaceful courtyard garden
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Bach Vespers at St. Mary-at-Hill - Ein ungefärbt Gemüte (BWV 24) & Jauchzet Gott in Allen Landen (BWV 51)

One of my ambitions in life is to be able to play everything Bach wrote for the trumpet and associated instruments. This might sound like a fairly modest ambition - it’s not like I’m attempting to climb Mount Everest, win on centre court at Wimbledon or become a best-selling novelist - but you may be surprised by just how much is involved in this seemingly humble endeavour.The collected parts included
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'Sound the Trumpet' - Stroud Green Festival with Spiritato!

Spiritato! gave a concert of a programme entitled ‘Sound the Trumpet’ on Friday 26th of June. The performance was part of the Stroud Green Festival in London which took place in Holy Trinity Church in Stroud Green. The programme itself included works by Purcell, Corbett, Fantini, Rebel, Matteis, Albrici and Franceschini. We had performed a similar programme to this earlier in the year at the Forge
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Ars Eloquentiae in St. Andrews - Scotland

The London-based orchestra Ars Eloquentiae joined forces with the Fitzwilliam String Quartet to give several performances during a residency at St. Andrews University in Scotland. The project involved performing Gluck's 'Iphigéne en Tauride' with Byre Opera in the Byre Theatre in St. Andrews. There was a Bach project taking place simultaneously which included performing and recording the 'Credo' from
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Gorczycki in Opava, Bolesławiec & Łańcut

After the Göttingen Händel Festspiele, I embarked on a somewhat complex journey to Opava in the Czech Republic. The journey involved an overnight stay in a hotel next to Dortmund Airport, an early flight to Katowice and a critically-timed lift to Opava. We played in a beautiful, rustic church which had an elaborate painting on the ceiling.This church was the venue for the first concert in the Wrocław
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Göttingen International Händel Festival 2015

I was involved, for a second year, in the International Händel Festival in Göttingen, Germany. I performed with Festspiele Orchester Göttingen (also known as F.O.G.) in the Opera ‘Agrippina’ (HWV 6) and the Oratorio ‘Theodora’ (HWV 68).We gave six performances of Händel's 'Agrippina' in the Deutsches Theatre in Göttingen. It is a large-scale, three-act opera with a running time of around
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Handel 'Deborah' - Göttingen, St. Johannis-Kirche

The Göttingen Handel Festival allowed the trumpet section from F.O.G. to join the Göttingen Baroque Orchestra’s performance within the Göttingen Handel Festival. The Göttingen Baroque Orchestra, under their concert master Henning Vater, performed Handel’s ‘Deborah’ (HWV 51) in the Marktkirche St. Johannes which is in the heart of the city of Göttingen. The performance of this three-hour
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Torgau

Playing Bach in Germany is always a pleasure. This time I played Bach's Ascension Oratorio (BWV 11) in the Stadtkirche Sankt Marien in Torgau as part of the Ascension day church service.Torgau is a beautifully restored old town in the region of Northwestern Saxony. It is situated on the banks of the river Elbe, Northeast of Leipzig. In the break between the rehearsal and the performance, we visited
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King's Lynn - Orchestra of the Age of Enlightenment - 'Water Cycle'

On Friday 1st of May, I performed with the Orchestra of the Age of Enlightenment in a concert and education workshop at the Corn Exchange in King’s Lynn, Norfolk. I played 2nd trumpet in Handel’s Coronation Anthem - ‘Zadok the Priest’. My part in the performance was very small, as I was only involved in this performance of ‘Zadok the Priest’. The rest of the programme included round-singing,
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St. John's Smith Square - Purcell, Rameau & Charpentier

I played with the orchestra 'Spiritato!' in a performance of music by Purcell, Rameau and Charpentier at St. John’s Smith Square on Wednesday 29th of April 2015. The performance was directed by Scott Price.Spiritato! began the programme with Henry Purcell’s ‘Suite from Abdelazer’. This set the scene for the first half of the concert which exclusively included works by Henry Purcell. The Schola
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Saarbrücken - Easter Oratorio & Ascension Oratorio

Over the weekend, I performed an all-Bach programme in Saarbrücken in Germany with Le Concert Lorrain. The programme included the Easter Oratorio (BWV 249), Concerto for Oboe, Violin, Strings and Basso Continuo (BWV 1060) and the Ascension Oratorio (BWV 11) and it had attracted a large audience to the Stiftskirche St. Arnual in Saarbrücken, Germany for a 5pm performance on Sunday 26th April 2015. The
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St. Martin-in-the-Fields - B Minor Mass

Bach's B Minor Mass was performed by candlelight at St. Martin-in-the-Fields in London on Thursday 9th April 2015. The concert was part of the Brandenburg Choral Festival 2015. Rufus Frowde conducted the Brandenburg Baroque Soloists who accompanied vocalists: Nika Goric (Soprano), Charlotte Schoeters (Soprano), Laura Zigmantaite (Ato), William Blake (Tenor), Nicholas Mogg (Bass) and the Vivamus Chorus.I
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Dartington Community Choir - B Minor Mass

After the B Minor Mass in Chester Cathedral, I travelled down to Dartington in Devon with the Bassoon section, who were (as luck would have it) doing the same concerts as me this weekend.Dartington is a very familiar and special venue - I spent many summers there at the International Summer School at Dartington Hall, near Totnes in Devon. The hall itself is picturesque and it feels tranquil, with its
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Chester Cathedral - B Minor Mass

The first of two B Minor Masses this weekend took place in Chester Cathedral. I had organised a lift from London with the Bassoon section, who were doing the same two concerts as I was this weekend. They were fantastic company and the travel time flew by.I had never been to Chester before. I was impressed with the upmarket centre of Chester, with ancient buildings, Roman gates and old two-layered shopping
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Westminster Cathedral - B Minor Mass

Trebles and Altos from the Schola Cantorum of the London Oratory School joined the Westminster Cathedral Choir for a performance of J S Bach's B Minor Mass in Westminster Cathedral. Martin Baker conducted the orchestra and choirs. Kirra Thomas led the orchestra.The audience filled Westminster Cathedral and there was an incredible sense of calm silence from the large audience, that remained throughout
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The Sage, Gateshead - B Minor Mass

I travelled to the Sage in Gateshead to take part in my first B Minor Mass of the year. I was playing second trumpet to Crispian Steele-Perkins, with George Parnaby on third trumpet. One of George's students, Adam Wood, was sitting in with the section in the rehearsal to experience what it is like to be in a natural trumpet section. He will be going to the Royal College of Music in September.This was
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Chelmsford - Zelenka Mass & Fanfares

I performed a programme of music by Zelenka in Chelmsford on Saturday 14th March 2015. The trumpet section consisted of David Staff, Richard Thomas, Katie Hodges and Russell Gilmour. As there had been engineering work scheduled on the main line between London and Chelmsford, I had asked David Staff whether I could start my journey from his his home near Coddenham in Suffolk by departing a few
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Royal Northern College of Music - Magnificat

On Saturday, I revisited the conservatoire where I studied for my undergraduate degree - the Royal Northern College of Music, in Manchester. This time I was there to perform in the newly-refurbished concert hall as the leader of a section of three natural trumpets (myself, Will Russell and Gareth Hoddinott). We played Bach’s Magnificat in D with Manchester Baroque.With all three trumpet players travelling
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Spiritato! at the Forge

'Spiritato!' gave a concert at The Forge in Camden on Tuesday 3rd of February 2015. The group performed works by:H Purcell: King ArthurOverture : Air : Act I OvertureH Purcell: Sonata in Four Parts No.3 in A minorW Corbett: Suite in DOuverture : Aria : Gavotta : Sarabanda : Minuet : Air Ecossois : Air : Marche : MinuetG F Rebel: Les Caractères de la danse~ Interval ~G Fantini: Sonata a due Trombe
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Cambridge Baroque

The chapel in Trinity College in Cambridge was the venue for Cambridge Baroque's concert on Saturday evening. The concert featured music by Bach, Schütz and Gabrieli.I played the Cornetto in Gabrieli's 'O Magnum Mysterium' and I played the Natural Trumpet in the Schütz 'Christmas Story'. The trumpets symbolise the royalty of King Herod, and accompany him in his aria.I took the opportunity to arrive
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Messiah in Malta

I flew to Malta to take part in a performance of Handel's Messiah with the Goldberg Ensemble; an ensemble based in Malta. The concert was held in the Anglican Cathedral - St Paul's Pro-Cathedral - in the capital, Valletta.I departed from Gatwick Airport - remarkably all the passengers and bags were loaded ahead of schedule, so we departed 20 minutes early - and Air Malta transported
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Thomas Tudway Recording

I feel like I am hitting the ground running at the beginning of 2015! It's the 3rd of January 2015 as I write and I have been fortunate enough to have been involved in two musical projects already this year. I returned from Saarbrücken via London City Airport last night and I woke up early this morning to head towards Cambridgeshire, to play at Wimpole Hall with Eboracum Baroque, directed by Chris
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New Year Concert in Saarbrücken

It was great to spend New Year's Eve and New Year's Day in Saarbrücken in Germany for a concert of music by Bach and Telemann. The concert was given by the French group Le Concert Lorrain. The section of three natural trumpets and timpani included myself on first trumpet, William Russell on 2nd and Olivier Picon on 3rd, with Frithjof Koch on Timpani. We played music intended for the New Year, including
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Messiah in Kew Green with Ars Eloquentiae

My final Messiah of the year was in Kew Green with Ars Eloquentiae, directed by Chad Kelly.I have had the pleasure of performing with this group on several other occasions over the past few years. This time the group was joined by a hand-picked ensemble of 12 vocalists.The group performed Handel's Messiah to a full audience at St. Anne's Church in Kew Green, London. The good sense of energy made what
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Brangwyn Hall - Messiah, Swansea

Myself and fellow trumpeter, Will Russell travelled to Swansea in Wales on Friday night, ready for an afternoon rehearsal and evening performance of Handel's Messiah on Saturday. We stayed with very generous hosts and we had chance on Saturday morning to relax over a leisurely breakfast and enjoy a walk on the beach at Mumbles. For lunch we met our hosts John and Sarah at a local restaurant (The Sketty
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Bad Gandersheim

I visited Bad Gandersheim in Germany to play first trumpet in Bach's Christmas Oratorio. I played this concert with the Gottingen Baroque Orchestra, led by the violinist, Henning Vater.Bad Gandersheim is a small town, about an hour's drive south of Hanover. I arrived in Hanover after a very early flight from London Heathrow. I had time to explore Hanover before being picked up outside Hanover Hauptbahnhof
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Orchestra of the 18th Century - Tour 123

I made my debut with the Orchestra of the 18th Century on 'Tour 123'. The tour began on the 23rd of November 2014 and finished on the 3rd of December 2014. It included performances in Rotterdam (Holland), Roeselare (Belgium), Dublin (Ireland), Belfast (Northern Ireland), Amsterdam (Holland) and The Hague (Holland).It was a huge privilege to be asked to play with the Orchestra of the 18th Century for
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Berlin Photography & Berlin Musical Instrument Museum

Aside from a few rail trips that have passed through, I have seen little of Berlin outside of the Hauptbahnhof. I felt that it was a shame not to stop to see more on those visits, and I resolved to do just that on this occasion. Travelling to the Island of Usedom for the Usedomer Musikfest involved flights in and out of Berlin Tegel, so it seemed logical to extend my trip slightly (at no additional
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Katowice

I was invited to play Bach's Jauchzett Gott In Allen Landen (BWV 51) in Katowice in Poland. I had never been to Katowice before and I was scheduled to be in Wrocław the preceding day, so it fitted perfectly into my schedule.Upon my arrival to Katowice, I was welcomed by a lady who showed me the way to the hotel. At first we struggled to find a way through the major building works going on
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Wratislavia Cantans Festival 2014

'Te Lucis Ante Terminum'- Wrocław CathedralTuesday 9th September 2014Music by Grzegorz Gerwazy Gorczycki:CompletoriumConductus FunebrisMissa Rorate IILitaniae de Providentia DivinaAndrzej Kosendiak - Musical DirectorAldona Bartnik, Agnieszka Ryman - SopranoMatthew Venner - AltoMaciej Gocman - TenorTomaš Kral, Jaromir Nosek - BassZbigniew Pilch - 1st ViolinMikołaj Zgółka - 2nd ViolinJulia Karpeta,
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Göttingen International Handel Festival 2014

May through to June has been an exciting time. I had the great pleasure of playing in the Thüringia Bach Festival in Weimar in May and then toured with the Göttingen Händel Festival through May and June.I have been amazed by the Festspiele Orkester Göttingen (known colloquially as FOG). The quality of the music-making has been incredible. I was impressed with the string section in particular, as
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Household Cavalry Masterclass

On Tuesday, 25th of March, I had the pleasure of giving a lecture and masterclass at Hyde Park Barracks for members of the Life Guards in the Household Cavalry and members of the Band of the Blues and Royals. I performed with the Altenburg Ensemble and we presented a short history of the Natural Trumpet, and then demonstrated each point using a suitable piece of music. We performed music by Bendinelli,
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Deutschland Radio Kultur Broadcast - 28.01.2014

A recording from a concert given last week in Kaiserslautern (featuring Russell Gilmour) will be broadcast on German National Radio: 'Deutschland Radio Kultur' - this evening (Tuesday 28th January 2014) at 19:03 GMT (20:03 in German time) - after the news.Russell is playing with the French ensemble, 'Le Concert Lorrain' and he features in the first item in the programme: the Telemann Trumpet Concerto
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Orfeo in Nancy

The first trip of this year was to Nancy in France, to perform in the Opera National du Lorrain. What a great way to get over the so-called 'January blues'!Opera National du LorrainThe group, 'Les Talens Lyriques' (led by Christophe Rousset) were great, both musically and organisationally. I was looked after very well, and they had provided accommodation a short walk from the opera house and each room
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Performance at Hampton Court Palace

Russell performed works by Handel and Bach at Hampton Court Palace on the 28th of June 2013. He was privileged to perform with Crispian Steele-Perkins and William Russell.(L-R) Russell Gilmour, William Russell & Crispian Steele-Perkins
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Recording in Wrocław

I have spent the last few days in Wrocław in Poland. A beautiful city, with lots going on. They are currently building a new home for the Philharmonic (which I am told will be the best acoustic of any concert hall in central Europe) and the Euro 2012 football trophy has been unveiled since we have been here. There is lots happening. Also, yesterday it was 25°C, which was an added bonus.We are here
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English Slide Trumpet - Performance Presentation

I performed on an original 19th Century Slide Trumpet from the Royal College of Music Museum of Instruments as well as giving demonstrations on the Natural Trumpet (without holes) on the 30th April 2012, 12:20 - 13:00 - Durrington Room, RCM. This twenty-five minute lecture presentation will focus on Thomas Harper Senior (1786-1853) and Thomas Harper Junior (1816-1898) and other leading exponents
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Brandenburg Concerto No.2

Dear all,I will be performing Bach's Second Brandenburg Concerto on the Natural Trumpet on Friday 24th of June at 19:30 in the Amaryllis Fleming Concert Hall at the Royal College of Music (RCM).Ashley Solomon and the RCM Historical Performance department will be joined by Neal Peres Da Costa and students from the Sydney Conservatorium to give a varied programme of music by Bach, Handel (Concerto
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University College of London Lecture

The Natural Trumpet: Original Instruments - “Original Ears”?“Original Ears” - By Bruce Haynes - from” The End of Early Music - Oxford University Press, 2007University College of London - North and South CloistersKatie Hodges (Left) - with the ensemble of new Natural Trumpet players. L-R Katie Hodges (Conducting), Andrew Thompson (sitting), Maria Jose Pinilla, Brian Read, Dearbhla Nolan, Jonathan
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Tomes and Tuck

I collected my Tomes Trumpet from Frank’s house in Wimbledon. It works fantastically and is truly beautiful. Frank is such a craftsman.Bill Tuck has contacted me asking me to do a concert with Katie Hodges in London also with the possibility of doing a workshop or lecture about the Natural Trumpet. I am very much looking forward to doing this.Frank Tomes in his workshop in Wimbledon - pictured holding
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