Sunday 7th July 2019 saw two differing performances (both by I Fagiolini) of Monteverdi's Orfeo in the Jerwood Hall at LSO St. Luke's in London. Music & Theatre for All and I Fagiolini had teamed together to present a 'relaxed performance' at 3pm, which welcomed an audience of all ages. Special provision had been made for those with special educational needs, particularly autism and the performance

Following on from the most recent Orfeo at the Stour Music Festival, I Fagiolini gave a subsequent performance on Friday 5th July 2019 in the Sir Jack Lyons Concert Hall at the University of York, on the first day of the National Centre for Early Music's York Early Music Festival 2019.This Orfeo differed from any of I Fagiolini's earlier performances: with the addition of student singers from

It was a great pleasure to rejoin Robert Hollingworth's I Fagiolini for a performance of Monteverdi's Orfeo at the Stour Music Festival at All Saints Church near Boughton Aluph (near Ashford in Kent) on Friday 28th June 2019.The 2019 festival marks the departure of Stour Music's artistic director Mark Deller (countertenor). He will be succeeded by Robert Hollingworth who will direct future festivals,

On Sunday 2nd December 2018 I deputised on first trumpet with the Orchestra of the Age of Enlightenment for the first joint rehearsal day of Glydnebourne’s Community Opera, ‘Agreed’. This opera was composed and conducted by Howard Moody, and his daughter Anna Moody had written the libretto. 'Agreed' is directed by Simon Iorio and will be performed at Glyndebourne in the near future. For further

Just as a distinctive smell can immediately remind you of a time, of a place, or of people in your life - so too can receiving a finished copy of a CD that you were involved with. Listening back is always an exciting, sensory-rich moment, one that gives an opportunity to reminisce about the process of capturing that recording. It gives the ability to remember the music after some time away from it

Following on from a residency at the Opera National du Lorrain in Nancy (2014), and a tour to Versailles and Vienna (2016), I joined Les Talens Lyriques for a third time; performing and recording Jean-Baptiste Lully's 'Alceste, ou Le triomphe d’Alcide' (1674) under the direction of Christophe Rousset.Lully's opera 'Alceste, ou Le triomphe d’Alcide' is a 'tragedy in music', with a

Robert Hollingworth led I Fagiolini’s performance of Monteverdi’s 'L’Orfeo' at Cheltenham Town Hall, as part of the Cheltenham Festival, on Sunday 9th July 2017.I performed the opening Toccata, without holes, alongside players from the English Cornett and Sackbutt Ensemble: Tom Lees, Emily White, Andy Harwood-White and Adrian France. In a slight difference to our other performances in Venice,

Following on from previous performances in Venice and London, I Fagiolini performed Monteverdi’s 'L’Orfeo' in the historic market town of Wareham in Dorset on Saturday 3rd June 2017. The performance took place as part of the Purbeck Art Weeks festival at Lady St Mary’s, Wareham.I performed the opening Toccata with players from the English Cornett and Sackbutt Ensemble, on  natural

Robert Hollingworth’s ensemble I Fagiolini gave a semi-staged performance of Monteverdi’s L’Orfeo in the London Festival of Baroque Music at St. John’s Smith Square on Thursday 18th May 2017. The brilliant Matthew Long performed the role of Orfeo.I performed the clarino part in the opening Toccata, playing the natural trumpet (without holes) with players from the English Cornett and Sackbutt

Christophe Rousset’s orchestra, Les Talens Lyriques [@talenslyriques] invited me to play in their project comprising two performances and a recording of the opera ‘Les Horaces' (1786) by Antonio Salieri (1750 - 1825).On the 10th of October 2016, I travelled from London to Paris on the Eurostar [a marvel of railway engineering that I never fail to be impressed by]. Rehearsals with Les Talens Lyriques

As a young lad, if I showed any reluctance to attend a rehearsal I was given the choice of: 'band, ballet or bed'. I ruled out ballet immediately and always chose band eventually. To a six-year-old, the prospect of going to bed early seemed like a punishment - how times change! Being allowed to stay up late was a privilege reserved for very special occasions - one such occasion being the Last Night

The first trip of this year was to Nancy in France, to perform in the Opera National du Lorrain. What a great way to get over the so-called 'January blues'!Opera National du LorrainThe group, 'Les Talens Lyriques' (led by Christophe Rousset) were great, both musically and organisationally. I was looked after very well, and they had provided accommodation a short walk from the opera house and each room