I Fagiolini - Monteverdi - L'Orfeo - Cheltenham Festival

Robert Hollingworth led I Fagiolini’s performance of Monteverdi’s 'L’Orfeo' at Cheltenham Town Hall, as part of the Cheltenham Festival, on Sunday 9th July 2017.I performed the opening Toccata, without holes, alongside players from the English Cornett and Sackbutt Ensemble: Tom Lees, Emily White, Andy Harwood-White and Adrian France. In a slight difference to our other performances in Venice,
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I Fagiolini - Monteverdi - L'Orfeo - Purbeck

Following on from previous performances in Venice and London, I Fagiolini performed Monteverdi’s 'L’Orfeo' in the historic market town of Wareham in Dorset on Saturday 3rd June 2017. The performance took place as part of the Purbeck Art Weeks festival at Lady St Mary’s, Wareham.I performed the opening Toccata with players from the English Cornett and Sackbutt Ensemble, on  natural
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I Fagiolini - Monteverdi - L'Orfeo - London Festival of Baroque Music

Robert Hollingworth’s ensemble I Fagiolini gave a semi-staged performance of Monteverdi’s L’Orfeo in the London Festival of Baroque Music at St. John’s Smith Square on Thursday 18th May 2017. The brilliant Matthew Long performed the role of Orfeo.I performed the clarino part in the opening Toccata, playing the natural trumpet (without holes) with players from the English Cornett and Sackbutt
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Spiritato! - HIP Class - Royal Academy of Music

On Thursday 9th of March 2017, I was involved in delivering a Historically Informed Performance Class at the Royal Academy of Music in London. Four members of the period-instrument ensemble ‘Spiritato!’ talked about their recent ‘Guts & Glory’ project - which involved discussing many of the key aspects of being a Historically Informed performer. The class focused on the pros and cons of
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Spiritato - Guts & Glory - York Early Music Winter Festival

Spiritato’s final 2016 performance of their ‘Guts & Glory’ programme opened the York Early Music Winter Festival on Thursday 8th of December 2016 at St. Margaret’s Church in York - home of the National Centre for Early Music (NCEM). The ensemble was led by the wonderful violinist Kinga Ujszaszi.The fun Guts and Glory project finished for 2016 in York last night. Thank you guys for all your
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Spiritato - Guts & Glory - Brighton Early Music Festival 2016

Spiritato's tour of the 'Guts & Glory' programme continued on Friday 11th November 2016 at St. George’s Kemp Town, in Brighton. The performance was part of the Brighton Early Music Festival 2016.Brighton Early Music Festival had chosen the theme of ‘Nature & Science’ for their 2016 festival, exploring observation, discovery, invention and creation. In the spirit of innovation, Spiritato
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Spiritato - Guts & Glory - St. George’s Bristol

St. George’s in Bristol was the venue for the most recent performance of Spiritato’s 'Guts and Glory' programme. Click here to read an older post about this programme.The concert took place on the 9th of November 2016 in this magnificent venue in the vibrant city of Bristol. Spiritato performed the programme with vigour and assurance, informing and delighting the audience along the way. The programme
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Guts & Glory - Spiritato!

Last week saw the realisation of Spiritato’s innovative ‘Guts and Glory’ project. Exploring ‘equal tension’ strings and using natural trumpets without finger holes, the group devised and delivered a programme of 17th Century music by Biber, Schmelzer, Vejvanovsky and Bertali.The project began with an open rehearsal and discussion event on Friday 8th April 2016 in which Spiritato welcomed
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I Fagiolini - Monteverdi - L'Orfeo - Scuola Grande di San Giovanni Evangelista, Venice

“I exhibite in this my Journall to your Princelie view, that most glorious, renowned, Virgin Citie of Venice, the Queene of the Christian world, that Diamond set in the ring of the Adriatique gulfe, and the most resplendent mirrour of Europe…”- Thomas Coryate, c.1608There are few places in the world that are as instantly recognisable. Venice is a paradise for the eyes and for the ears. As a photographer
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Grand Baroque II - Exeter Cathedral - Blackdowns Early Music Projects

Exeter Cathedral was the venue for a concert entitled 'Grand Baroque II', organised by Blackdowns Early Music Projects. It was the sequel to their successful debut concert in 2013.The Altenburg Ensemble, consisting of Steve Bailey, Steve Burke, Steve Gilbey, myself, Katie Hodges, William Russell and guest player Jean-François Madeuf, opened the concert with a performance of Biber's Sonata for 6 trumpets
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