Il Gusto Barocco - Muzio Scevola - Mozartsaal, Liederhalle Stuttgart

Immediately after performing George Frideric Handel’s Ariodante at the Göttingen Händel Festival, I segued into another Handel (pasticcio) opera project, Il Muzio Scevola, with Il Gusto Barocco in Stuttgart. This opera featured a Prologue which had been specially written for the occasion by Th. W. Leininger in 2021 to a text from 1723 (Hamburg). The first act was by Filippo Amadei, with a second
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Bach - B Minor Mass - Croatian Baroque Ensemble - Varaždin

Although I am something of a regular flyer, I still find aerial views to be inspiring, humbling and often quite moving. This was especially true as there was hardly a cloud in the sky between London Heathrow Airport and Franjo Tuđman Airport in Zagreb on Thursday 27th September 2018.Upon arrival I was greeted by a familiar face, that of Krešimir Fabijanić. Krešimir (also known, for reasons unknown,
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Delalande - Te Deum - Festival Oude Muziek Utrecht - Vox Luminis

I have visited Utrecht in the Netherlands before but this was the first time I had been involved in the Utrecht Early Music Festival: Festival Oude Muziek Utrecht - the largest early music festival in the world. The opening of the festival took place on Friday 24th August 2018 with four simultaneous concerts across Utrecht’s city centre.The overall title of the opening night was Het Bourgondische
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Telemann - Der Tag des Gerichts - Orchestra of the Eighteenth Century - Tour 142 - Concertgebouw, Amsterdam

Living a life as a touring musician, it is certainly a frequent occurrence to wake up and wonder exactly where you are. Sometimes it takes just a few moments to realise, as you recall your movements of the previous day. On other occasions a blandly corporate hotel room (while offering predictability and consistency) gives little indication of whether you are in London, Paris, Vancouver or Sydney. Even
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Lully - Alceste, ou Le triomphe d’Alcide - Les Talens Lyriques

Following on from a residency at the Opera National du Lorrain in Nancy (2014), and a tour to Versailles and Vienna (2016), I joined Les Talens Lyriques for a third time; performing and recording Jean-Baptiste Lully's 'Alceste, ou Le triomphe d’Alcide' (1674) under the direction of Christophe Rousset.Lully's opera 'Alceste, ou Le triomphe d’Alcide' is a 'tragedy in music', with a
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Spiritato! - HIP Class - Royal Academy of Music

On Thursday 9th of March 2017, I was involved in delivering a Historically Informed Performance Class at the Royal Academy of Music in London. Four members of the period-instrument ensemble ‘Spiritato!’ talked about their recent ‘Guts & Glory’ project - which involved discussing many of the key aspects of being a Historically Informed performer. The class focused on the pros and cons of
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‘Christmas in Leipzig’ - Solomon’s Knot - Schelle, Kuhnau, Bach - St. John’s Smith Square Christmas Festival

The ‘baroque collective’ Solomon’s Knot gave a performance entitled ‘Christmas in Leipzig’ on Monday 21st December 2015 as part of St. John’s Smith Square’s 30th Christmas Festival. The concert featured music by three composers who consecutively held the position of Kantor at the Thomaskirche in Leipzig: Johann Schelle, Johann Kuhnau and Johann Sebastian Bach."This concert gives us a
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Let the Bright Seraphim & Vivaldi Gloria at Temple Church

London's Temple Church was the venue for a concert given by The Bar Choral Society and The Temple Players on Monday 16th of November.The Bar Choral Society, formed in 2014, is a musical collaboration of barristers, judges, other people who work within the legal profession and their family members."The Society rehearses and performs in Temple Church which has a long association with the Law, providing
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Birmingham University - Baroque Orchestra Coaching Session

On Saturday morning, I tutored students who were participating in Birmingham University’s Baroque Orchestra. The trumpet players had been asked to play Bach’s Orchestral Suite No.3 (BWV 1068) and Rameau’s Suite from Les Indes Galantes. I spent a few hours helping the students with issues of playing in Baroque style and ensuring they were prepared for the intensive weekend of music.
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Russell Gilmour
Russell Gilmour Blog
writing on music, photography, engraving, travel and life as a freelance professional musician.