I played first trumpet in Handel’s Messiah (HWV 56) in the candlelit quire of Canterbury Cathedral on Saturday 23 November 2024. The performance featured the soloists Alexandra Kidgell (soprano), James Hall (alto), Nicholas Todd (tenor), and Robert Rice (bass), as well as an excellent choir comprising the lay clerks and female choristers of Canterbury Cathedral. The ensemble was conducted by Dr David

The 15th September 2024 marked my 20th performance of a staged opera this year with Les Talens Lyriques and Christophe Rousset—it is actually 23 if you count ticketed dress rehearsals, and even more if you count concert versions. Ten performances of Mozart’s Così fan tutte took place at the Théâtre du Châtelet in Paris in February, six performances of Salieri’s Cublai gran kan de' Tartari took

In the week that Labour won a landslide election in the UK and Mark Cavendish (fellow Manxman and childhood friend) cemented his 35th stage win to become the greatest Tour de France cyclist of all time, I was working in Paris with Les Talens Lyriques. This was just 20 days before the opening of the Paris Olympics. Having finally finished my book, ‘Just’ Natural Trumpet (www.justnaturaltrumpet.com),

The last few months have been quite a whirlwind—in fact, it’s been incredibly busy since January when we began rehearsing Mozart’s Così fan tutte for a staged production at the Théâtre du Châtelet in Paris. It was great to perform this opera at the Würzburg Mozartfest with Les Talens Lyriques and Christophe Rousset: we gave performances on Friday 7th and Saturday 8th June 2024 in the

I performed the programme ‘Mozart and Friends’ with Les Talens Lyriques and the bass soloist Benjamin Appl. Rehearsals took place at La Seine Musicale in Paris, with the first concert at ‘Le Majestic’ in Montereau (around an hour south of Paris) on Wednesday 22 May 2024, and two subsequent performances in the Würzburg Mozartfest (Friday 24 and Saturday 25 May). It was great to revisit

I performed with the Brandenburg Baroque Soloists at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich on Tuesday 30th April 2024. The performance featured two choirs, the Old Royal Naval College Trinity Laban Chapel Choir (directed by Ralph Allwood) and the Chapel Choir of the Royal Hospital Chelsea (directed by William Vann). The concert was a choral celebration

There have been times in my career when I have performed in the so-called ‘modern premiere’ of a work, but I think performing in an actual premiere of a work that was written in the eighteenth century but never performed at the time is a first for me. ‘Composed in 1788, Salieri’s opera Cublai, Gran Kan De’ Tartari was a satire on the autocracy and court intrigues at the court of the

I performed Domenico Cimarosa’s L’Olimpiade (1784) with Christophe Rousset’s Les Talens Lyriques in Halle E of the Theater an der Wien in Vienna’s MuseumsQuartier on Sunday 31 March 2024. This concert performance of the opera took place just a few days before our staged opera production began—we will be giving six performances of Salieri’s opera Cublai gran kan de' Tartari (1788) in Halle

It was wonderful to be back at the magnificent Théâtre du Châtelet in February 2024, having performed a complete Schubert symphony cycle here around this time last year. I returned, once again with Christophe Rousset and Les Talens Lyriques, to give ten staged performances of Mozart’s opera Così fan tutte (1790). It is quite amazing to watch Christophe directing, juggling his roles as conductor

I joined Les Talens Lyriques for a recording of Domenico Cimarosa’s L’Olimpiade, a drama by Pietro Metastasio. The recording was directed by Christophe Rousset and we used a new edition by Korneel Bernolet produced specially for the occasion. I joined Les Talens Lyriques on the last day of their rehearsals in Paris, at the Mairie of the 9th Arrondissement, on 17 December 2023. The following day

I played first trumpet in a sold out performance of Handel’s Messiah in the quire of Canterbury Cathedral on Saturday 2nd December 2023. It was, as the advertisements for the performance promised, ‘an intimate presentation of some of Handel’s most enduring music’.I played first trumpet, with Will Russell (2nd trumpet), and Ben Fullbrook (timpani) in the section. The concert, part of the Canterbury

I played first trumpet in Handel’s ‘Eternal Source of Light Divine’ as part of a performance entitled ‘Music to her Majestie’ with Spiritato, directed by the lutenist Elizabeth Kenny, at St Giles Cripplegate in London on Sunday 10 September 2023. The programme featured Purcell’s From Hardy Climes, Eccles’ Inspire us Genius—a modern (and perhaps an overall) premiere—and Handel’s

If you were to ask me to describe my ideal day it would start with a leisurely morning and a nice breakfast, it would also involve exploring, a good walk, a mid-afternoon chill, (Face)time with family, and it would include some lovely music and fine company. This was exactly my day in Kraków on Easter Sunday: I performed at the Karol Szymanowski Philharmonic as part of the Misteria Paschalia festival:

Union Chapel in Highbury (London) was the venue for a performance of Handel's Messiah on Sunday 2nd April 2023. The Eclectic Voices choir joined forces with the City Bach Collective, led by Hazel Brooks, and the wonderful Scott Stroman directed the whole ensemble. I played first trumpet with Will Russell on second, and Lewis Blee on timpani. It was an uplifting performance, with great enthusiasm

I played principal trumpet with Les Talens Lyriques under the direction of Christophe Rousset for three all-Schubert performances at the Théâtre du Châtelet. The project took place between 18th January and 31st January 2023. Our first performance took place on Friday 27th January 2023 and it featured Franz Schubert’s Symphony No. 6 in C major (D 589), Symphony No. 2 in B-flat minor (D 125),

As part of their 30th anniversary season Les Talens Lyriques performed an all-Bach programme in three cities in the week beginning 21st November 2022. The first performance took place at Salle Gaveau in Paris (21st), the second at the Théâtre d'Orléans (23rd), and the third at the Casino de Montbenon as part of the Bach Festival in Lausanne (25th). The programme featured Bach’s Orchestral Suite

I performed Bach’s B Minor Mass in a concert organised by Catherine and Geoffrey Bass for Blackdowns Early Music Projects. The concert was the fifth in the ‘Grand Baroque’ series. I have had the pleasure of performing in four out of five of these concerts which usually take place every two years. I performed in Grand Baroque V (2022), Grand Baroque IV (2019), Grand Baroque III (2017) and Grand

I performed Bach’s Missa Brevis (essentially the Kyrie and Gloria of the B Minor Mass), as well as the Magnificat in two performances with Vox Luminis. We also played the final chorus of the B Minor Mass, Dona Nobis Pacem, as an encore. The first performance took place in Pontaumur in France in the Bach en Combrailles festival on 13th August 2022, and the other concert took place two days later

Following a successful performance in the London Handel Festival, Opera Settecento travelled to Halle in Germany to perform Handel’s Fernando in the Halle Handel Festival. This city was, of course, the birthplace of George Frideric Handel. It was great to be back in Halle, and I had many happy memories of performing there with Les Talens Lyriques, Solomon's Knot, the Halle Handel Festival Orchestra

I performed music by Johann Sebastian Bach and Antonio Vivaldi at St Edmundsbury Cathedral in Bury St Edmunds on Saturday 21st May 2022. I played first trumpet, with William Russell and Gareth Hoddinott in the trumpet section.The performance, which featured the Bury Bach Choir—in their 90th year—and the Suffolk Baroque Players, began with Bach’s O Jesu Christ, meins Lebens Licht [BWV 118] and