The Medieval Manuscript the 'Chronicles of Mann and Sudreys' mentions various locations, including the Isle of Man, Wales, Scotland, Ireland and even places as far away as Norway and Brittany.
Russell Gilmour (trumpet) and David Kilgallon (organ) use melodies from these countries and they merge and fuse these ideas together with their own to create unique compositions for trumpet and organ. The idea behind their musical collaboration is to explore traditional music from these countries and to adapt the music, interpret it and explore it. Chronicles' musical format is slightly unusual in that it combines trumpet and organ - not the instruments you may initially associate with folk music - but it is an approach that has sparked a lot of interest.
Their limited edition EP "Prologue" is a sample of things to come, as the production of a full album is underway. The full album will be Chronicles' musical impression of the Isle of Man's influences and rich history - as documented in the Chronicles of Mann.
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Eternal Source of Light Divine at Temple Church, London
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I played for the blessing of a marriage at the Temple Church in London on Saturday 17th of October 2015 at 2pm.
The groom, Jonny Sells, is the musical director of 'Solomon's Knot' and resultantly the service was filled with musical excitement. There was an eight-piece choir from Solomon's Knot. The ensemble also included myself on trumpet and William Vann playing the magnificent organ at the Temple Church.
Musical items included Handel's 'Zadok the Priest' - for the entrance of the bride, and 'Eternal Source of Light Divine' from the 'Ode for the Birthday of Queen Anne' (1713) - in which I played the obbligato natural trumpet part with the countertenor soloist Michał Czerniawski and with William Vann accompanying on the organ. We played 'Eternal Source' after the blessing of the marriage and the exchange of rings.
Additionally, there was a beautiful musical 'meditation' from the violinist Meret Lüthi, who played the 'Passacaglia in G minor, 'Der Schutzengel'' (the Guardian Angel) from the Rosary Sonatas (No.16) by Heinrich Ignaz Franz von Biber.
As well as being a blessing of a marraige, the service also included a blessing of their young son. The marriage blessing was a multi-lingual affair, with announments and readings in both English and German. The final hymn, 'Nun danket alle Gott' / 'Now thank we all our God' was sung in both languages simultaneously to great effect.
The blessing ceremony culminated in the 'Amen' from Handel's 'Messiah' and a recessional organ fuge by J. S. Bach 'Praeludium et Fuga in G' BWV 541, expertly played by William Vann.