The Medieval Manuscript the 'Chronicles of Mann and Sudreys' mentions various locations, including the Isle of Man, Wales, Scotland, Ireland and even places as far away as Norway and Brittany.
Russell Gilmour (trumpet) and David Kilgallon (organ) use melodies from these countries and they merge and fuse these ideas together with their own to create unique compositions for trumpet and organ. The idea behind their musical collaboration is to explore traditional music from these countries and to adapt the music, interpret it and explore it. Chronicles' musical format is slightly unusual in that it combines trumpet and organ - not the instruments you may initially associate with folk music - but it is an approach that has sparked a lot of interest.
Their limited edition EP "Prologue" is a sample of things to come, as the production of a full album is underway. The full album will be Chronicles' musical impression of the Isle of Man's influences and rich history - as documented in the Chronicles of Mann.
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New Year Concert - Saarbrücken - Handel - Messiah
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The Evangelische Chorgemeinschaft an der Saar and Le Concert Lorrain invited me to perform in their New Year Concert, at the Congreßhalle in Saarbrücken. It took place on the Saturday 7th of January 2017. The group, directed by Georg Grün, performed Handel’s ‘Messiah’ with notable soloists from the UK and Germany.
The rehearsals were very enjoyable, though the room we rehearsed in was quite small. Moving to the reverberant Congreßhalle totally revolutionised the sound and the feeling of the music. The dress rehearsal and performance took place with fantastic vitality in this excellent acoustic.
This was the first time that we have heard the Evangelische Chorgemeinschaft an der Saar sing in English - they did an excellent job. Their pronunciation was perfect and at no point did we notice that this was, in fact, a German-speaking choir. Bravo!
It was a privilege for me to play ‘The Trumpet Shall Sound’ with the bass soloist. We played the whole aria, including the ‘B’ section and the Dal Segno - and the duet seemed to captivate the audience. There were many incredible moments throughout this performance of Handel's Messiah.
The concert attracted a large audience, almost filling the Congreßhalle in Saarbrücken. There was a prolonged standing ovation at the end of the performance. It was a fantastic event and I am reminded of the great times we have had in Saarbrücken playing in New Years’ Concerts over the years: 2015, 2016 and now 2017. We have also enjoyed performing with this choir at other times of the year, including Bach’s Easter Oratorio & Ascension Oratorio. Thanks to all involved!