Bach - B Minor Mass - Solomon’s Knot - Leipzig, Antwerp & London
10 October 2026, 21:00I played first trumpet with Solomon’s Knot for a performance of Bach’s B Minor Mass (BWV 232) in the Nikolaikirche in Leipzig on Saturday 3 October 2026; apparently, this was my thirtieth appearance with Solomon’s Knot. We gave further performances of the work at AMUZ in Antwerp on Thursday 8 October and at London’s Wigmore Hall on Saturday 10 October.
It was a joy to play Bach in one of Bach’s churches. In fact, Bach performed the Sanctus from the B Minor Mass in the Nikolaikirche on Christmas Day in 1724. Our performance took place on German Reunification Day, a public holiday, and it was poignant to perform in this church, which was at the centre of the so-called ‘Peaceful Revolution’ that paved the way for the reunification of Germany in 1990.
As I have already reported, my dear former trumpet teacher, mentor, great friend, and trumpet-making master, to whom I was apprenticed, David Staff, passed away last week. It was a huge shock, and I was devastated by the news. Although he retired from performing a number of years ago, I remember the time I spent playing alongside him very fondly, and his lessons were, of course, hugely formative for me.
As this was my first project back since his sudden demise, I was a little apprehensive that I might become upset while playing the trumpet. However, I did not find that at all. There were only three occasions when I found myself thinking about him while playing, and each brought a practical memory to mind. The first was when I was feeling a bit tired and could see a top C approaching towards the end of a phrase. I was reminded of the time he played Handel’s Dettingen Te Deum at the Göttingen Handel Festival in 2018 and, without a bumper, faced with the same scenario in ‘O Lord, in Thee have I trusted’, told himself, ‘come on Staffy, this is what you do’. Another occasion was when I thought of the exercises for restoring a bit of blood to your lip, which his former teacher, Bernard Brown (1914–1983), taught him, and which he subsequently taught me. The third was simply when I thought of another fingering option for a top A. I was quite pleased that these were the thoughts that came to me, as they were all helpful and not overwhelming or sad in any way.
It was a fantastic performance of the B Minor Mass, which I would like to dedicate to Staffy’s memory. After the concert, we raised a couple of glasses of dunkel in the Augustiner Brauhaus in Leipzig’s main square and toasted Staffy. We were close to the town hall, where the famous portraits of Johann Sebastian Bach and the Leipzig town trumpet player Gottfried Reiche hang, which felt apt. We had visited them earlier in the day, and Reiche’s portrait has recently been restored.
I play on a mouthpiece by David Staff and a trumpet by Frank Tomes, David’s predecessor in trumpet making. Will Russell plays on a trumpet made by David, and Sam Kinrade plays on both a trumpet and a mouthpiece made by him. It felt only right that we should raise a glass to this wonderful friend, player, and maker.
It was great to visit Leipzig again. I’ve played in the Nikolaikirche with Solomon’s Knot before, in 2016 and again in 2025.
We subsequently travelled home, and then to Antwerp, where we performed the B Minor Mass at AMUZ on Thursday 8 October to a sold-out audience, who gave a standing ovation—a rare occurrence at this venue. The performance was also recorded for live broadcast on the national radio station. We began recording on Wednesday 7 October and continued the following day, before the public performance that evening.
Our final performance was at Wigmore Hall in London on Saturday 10 October. At the end of the B Minor Mass, there was a lengthy and remarkable silence before the rapturous applause began.
It was a joy to play Bach in one of Bach’s churches. In fact, Bach performed the Sanctus from the B Minor Mass in the Nikolaikirche on Christmas Day in 1724. Our performance took place on German Reunification Day, a public holiday, and it was poignant to perform in this church, which was at the centre of the so-called ‘Peaceful Revolution’ that paved the way for the reunification of Germany in 1990.
As I have already reported, my dear former trumpet teacher, mentor, great friend, and trumpet-making master, to whom I was apprenticed, David Staff, passed away last week. It was a huge shock, and I was devastated by the news. Although he retired from performing a number of years ago, I remember the time I spent playing alongside him very fondly, and his lessons were, of course, hugely formative for me.
As this was my first project back since his sudden demise, I was a little apprehensive that I might become upset while playing the trumpet. However, I did not find that at all. There were only three occasions when I found myself thinking about him while playing, and each brought a practical memory to mind. The first was when I was feeling a bit tired and could see a top C approaching towards the end of a phrase. I was reminded of the time he played Handel’s Dettingen Te Deum at the Göttingen Handel Festival in 2018 and, without a bumper, faced with the same scenario in ‘O Lord, in Thee have I trusted’, told himself, ‘come on Staffy, this is what you do’. Another occasion was when I thought of the exercises for restoring a bit of blood to your lip, which his former teacher, Bernard Brown (1914–1983), taught him, and which he subsequently taught me. The third was simply when I thought of another fingering option for a top A. I was quite pleased that these were the thoughts that came to me, as they were all helpful and not overwhelming or sad in any way.
It was a fantastic performance of the B Minor Mass, which I would like to dedicate to Staffy’s memory. After the concert, we raised a couple of glasses of dunkel in the Augustiner Brauhaus in Leipzig’s main square and toasted Staffy. We were close to the town hall, where the famous portraits of Johann Sebastian Bach and the Leipzig town trumpet player Gottfried Reiche hang, which felt apt. We had visited them earlier in the day, and Reiche’s portrait has recently been restored.
I play on a mouthpiece by David Staff and a trumpet by Frank Tomes, David’s predecessor in trumpet making. Will Russell plays on a trumpet made by David, and Sam Kinrade plays on both a trumpet and a mouthpiece made by him. It felt only right that we should raise a glass to this wonderful friend, player, and maker.
It was great to visit Leipzig again. I’ve played in the Nikolaikirche with Solomon’s Knot before, in 2016 and again in 2025.
We subsequently travelled home, and then to Antwerp, where we performed the B Minor Mass at AMUZ on Thursday 8 October to a sold-out audience, who gave a standing ovation—a rare occurrence at this venue. The performance was also recorded for live broadcast on the national radio station. We began recording on Wednesday 7 October and continued the following day, before the public performance that evening.
Our final performance was at Wigmore Hall in London on Saturday 10 October. At the end of the B Minor Mass, there was a lengthy and remarkable silence before the rapturous applause began.
While I was in Antwerp I had to organise the transportation of David Staff’s workshop from his home in Suffolk, which I began on Monday, after the Wigmore Hall performance on Saturday 10 October 2026. This was hard physically and emotionally, and I am indebted to Andy Flack and Will Russell for their help with the move.
Russell Gilmour
writing on music, photography, trumpet making, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
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Aurora Orchestra
Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Baroque Soloists
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Silversmithing
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet





