Words simply cannot convey the brilliance of the past fortnight, which I have spent performing with the Aurora Orchestra under the baton of Nicholas Collon. After a fairly gentle start to the year for me (professionally), the reunion of this family-like orchestra felt all the more uplifting. We performed Beethoven’s Symphony No. 7 from memory at Saffron Hall (23 February), the Isarphilharmonie in

I performed Bach’s Christmas Oratorio with the Oxford Bach Soloists at SJE Arts in Oxford on Friday 3 January 2025 and at St James Piccadilly in London on Saturday 4 January 2025. The performance, featuring parts I, IV, and VI of the Christmas Oratorio, was directed by Steven Grahl and featured the soloists Nick Pritchard (Evangelist), Emilia Bertolini (soprano), Stephanie Franklin (alto), Thomas

On Friday 20 and Saturday 21 December 2024, I finished an incredibly busy week by playing carols with a small ensemble at Hampton Court Palace. We played Christmas music in the Great Hall and, later, a selection of carols requested by the visitors in the Presence Chamber and the Guard Chamber and . ‘Silent Night’ and ‘In the Bleak Midwinter’ (the Holst version) were among the more traditional

La Scala, Milan | Alte Oper, Frankfurt | Elbphilharmonie, Hamburg | St. Martin-in-the-Fields, LondonThe final concert of our tour, which featured Marc-Antoine Charpentier’s Messe de minuit pour Noël, [H 9], Johann Sebastian Bach’s Schwingt freudig euch empor [BWV 36c], and Bach’s Unser Mund sei voll Lachens [BWV 110] took place at St. Martin-in-the-Fields in London on Tuesday 17 December

I played first trumpet in Bach’s Christmas Oratorio [BWV 248] at Brompton Oratory in London on Monday 16 December 2024. This remarkable performance, directed by Charles Cole, featured only one professional singer (Peter Davoren, tenor) as the Evangelist, the rest of the soloists came from within the ranks of this incredible choir. The students and teachers of this fine choral school should be extremely

I performed Handel’s Messiah at Temple Church in London on Thursday 5 December 2024. The performance was led by Dominika Fehér (violin) and directed by Thomas Allery, Director of Music (and formerly my direct contemporary at the Royal College of Music).I performed The Trumpet Shall Sound with the bass soloist Ashley Riches. The other vocal soloists, equally excellent, were Jessica Cale (soprano),

I played ‘Abide with Me’ (Eventide), ‘It is well with my soul’ (Ville du Havre) and ‘Here is love’ (Cymraeg) with the Quintabile Brass Quintet on Friday 4 October 2024 at St Barnabus in Kensington. The music formed part of a memorial service, which had been written by the gentleman (in his early thirties) who sadly lost his battle with cancer. The memorial service featured a great deal

I was delighted to rejoin the Brandenburg Baroque Soloists with the Chapel Choir of the Royal Hospital Chelsea and the Old Royal Naval College Trinity Laban Chapel Choir for a reprise of a programme from a concert given in April 2024 at the Old Royal Naval College in Greenwich. This concert, on Thursday 26 September 2024 was part of the Chelsea History Festival and took place at the Royal Hospital

It was a great pleasure to meet up with some of the patrons, supporters, and friends of ‘Just’ Natural Trumpet at the Harp in London on Saturday 10 August 2024. ‘Just’ Natural Trumpet had been officially launched online on Friday 2 August 2024, following the release of this YouTube video. We took a photograph of the attendees of the book launch gathering, which included two of

I played two of Handel’s Coronation Anthems with St. Martin’s Voices (directed by Andrew Earis) at St. Martin-in-the-Fields on Monday 6th May 2024. I played first trumpet with Rebecca Toal on second. I came directly from an Aurora Orchestra rehearsal at Henry Wood Hall, where I had been playing Beethoven’s 'Eroica' symphony (from memory), ahead of performances at the Apex in Bury St Edmunds,

I performed with the Brandenburg Baroque Soloists at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich on Tuesday 30th April 2024. The performance featured two choirs, the Old Royal Naval College Trinity Laban Chapel Choir (directed by Ralph Allwood) and the Chapel Choir of the Royal Hospital Chelsea (directed by William Vann). The concert was a choral celebration

The Hampstead Collective formed in 2020 and managed to present a season of 17 weekly performances amid the Covid-19 pandemic; it is fantastic that they have continued to give (now monthly) concerts in Hampstead Parish Church. They began the year in style with a performance of Bach’s Christmas Oratorio (cantatas 1, 3, 5 and 6), conducted by Aidan Coburn, on Monday 8th January 2024. I had the pleasure

What an experience it would have been to hear Bach’s music in the first year of his 27-year tenure as Thomaskantor and director musices of Leipzig in 1723. It was wonderful to be involved in an ambitious initiative, called Bach300, which is providing opportunities to perform works by Bach 300 years after the occasions for which they were originally composed. It was with great pleasure that I was

London’s St. John’s Smith Square was the venue for a performance Handel’s Messiah, in which I played first trumpet (alongside Will Russell, 2nd trumpet, and Adrian Bending, timpani) on Saturday 18 November 2023. The concert was directed by Scott Inglis-Kidger and featured the Platinum Consort, Platinum Choristers, and Platinum 415 baroque ensemble led by Conor Gricmanis (violin). It was wonderful

I played first trumpet in Handel’s ‘Eternal Source of Light Divine’ as part of a performance entitled ‘Music to her Majestie’ with Spiritato, directed by the lutenist Elizabeth Kenny, at St Giles Cripplegate in London on Sunday 10 September 2023. The programme featured Purcell’s From Hardy Climes, Eccles’ Inspire us Genius—a modern (and perhaps an overall) premiere—and Handel’s

I travelled to Malonne, near Namur, in Belgium the morning after our performance with Les Talens Lyriques at La Seine Musicale. I was in Belgium to rehearse Bach’s B Minor Mass with the choir and orchestra of Vox Luminis at their rehearsal headquarters in Wallonia.We subsequently travelled to London and performed Bach’s B Minor Mass at Wigmore Hall. Robert Hughill described a performance with

I played cornett with His Majestys Sagbutts and Cornetts and the St Cecilia Players for a performance of Monteverdi’s Vespers at The Oratory on Brompton Road in London on Wednesday 10th May 2023. The performance was directed by Charles Cole and featured the exceptional singers of the Schola Cantorum of the London Oratory School and the tenor soloists Peter Davoren and Mark Dobell. We performed

Union Chapel in Highbury (London) was the venue for a performance of Handel's Messiah on Sunday 2nd April 2023. The Eclectic Voices choir joined forces with the City Bach Collective, led by Hazel Brooks, and the wonderful Scott Stroman directed the whole ensemble. I played first trumpet with Will Russell on second, and Lewis Blee on timpani. It was an uplifting performance, with great enthusiasm

I played first trumpet in Bach’s B minor mass at St. James’ Piccadilly in London on Saturday 1st April 2023. The Petros Singers and Garter Ensemble, conducted by Richard Bannan, performed Bach’s most celebrated mass in this historic London church.Russell Gilmour, William Russell and Adam Wood played the trumpet parts; unfortunately the timpanist collapsed at the beginning of the performance

I enjoyed an action-packed week with the Aurora Orchestra and their conductor, Nicholas Collon, in the week beginning 20th March 2023. We performed Beethoven’s Fifth Symphony from memory six times in several different venues and settings in England and Germany. It was a pleasure to revisit this symphony, having memorised it for performances, including at the BBC Proms, in 2022.After two days of rehearsals