Zieleński - Offertoria et Communiones Totius Anni - Wrocław & Brno
8 October 2023, 14:00I first visited Poland in July 2011 to play cornetto in Mikołaj Zieleński’s Offertoria et Communiones Totius Anni (1611), alongside David Staff (cornetto), with Emma Kirkby (soprano), Joel Frederiksen (bass), and a group called Collegium Zielenski directed by Stanisław Gałoński (who is now 93 years old) in Krakow. David Staff and I returned to Krakow several times for recordings and performances (which predate this blog). We subsequently played a Zieleński-rich programme at St Marks in Venice; in fact, it was that trip that inspired me to start this blog.
Between 2012 and 2015, I visited Poland very often to perform (on natural trumpet and cornetto) with the Wrocław Baroque Ensemble, under Andrzej Kosendiak, and the Wrocław Baroque Orchestra. We made some excellent recordings, and I met some wonderful people along the way. I last visited Wrocław in 2015, when I performed in the opening concert of the new concert hall, the National Forum of Music, and we recorded Marcin Mielczewski’s Vesperae Dominicales using my arrangement of the work with reconstructed trombone parts. Happenstance has kept me away for too long (though I did perform in Krakow with Les Talens Lyriques earlier this year), so I was delighted to visit Wrocław again for this project of music by Mikołaj Zieleński, and it was great to renew old friendships and acquaintances.
Wrocław has changed remarkably, and yet somehow reassuringly very little. The old town is largely unchanged but the city seems somehow more mature and confident (and noticeably more expensive) than before. It feels almost like my alma mater; it is, after all, where I learnt so much about being a professional musician in those early days. It was lovely to reminisce about old friends and places we visited, with such fond memories of many past trips—a real trip down memory lane. I enjoyed exploring the city centre and noticing the minutiae of changes. It seems that the famous Wrocław dwarves have been busy with their bolt cutters, removing many of the symbolic (and apparently damage-causing) wedding padlocks from the bridges!
After rehearsing at the NFM in Wrocław, we took a coach to Brno in Czechia. I had never visited Brno before; it’s a lovely city with a Vienna-like splendour in parts of the old town. I was delighted to have this opportunity to visit.
As well as many works for two choirs, I also had the opportunity to play a more soloistic number: I performed divisions on Mitte manum tuam on the cornetto, with Bill Lyons on dulcian and Marta Niedźwiecka on the chamber organ. It is a wonderful work, and one that I hope to come back to one day. Performing Spiritus Sanctus docebit took me right back to my first Zieleński recording in 2011.
The encore was a particularly lively rendition of Salve festa dies, complete with an ornamented instrumental verse—a wonderfully jubilant and catchy tune. For this piece, I played in the place of the lead violinist Zbigniew Pilch, and he took my place on the opposite side. It was great to play alongside my old friend Mikołaj Zgółka (violin); we’ve kept in touch and I recently did some proofreading for him, for the preface of his edition of Józef Elsner’s (1769–1854) Trois Quatuors. Mikołaj reliably informed me that Elsner spent several years of his life in Brno, so we took a photo together with the edition. I must say, he’s done a very good job.
This was an excellent trip with the Wrocław Baroque Ensemble under Andrzej Kosendiak.
Between 2012 and 2015, I visited Poland very often to perform (on natural trumpet and cornetto) with the Wrocław Baroque Ensemble, under Andrzej Kosendiak, and the Wrocław Baroque Orchestra. We made some excellent recordings, and I met some wonderful people along the way. I last visited Wrocław in 2015, when I performed in the opening concert of the new concert hall, the National Forum of Music, and we recorded Marcin Mielczewski’s Vesperae Dominicales using my arrangement of the work with reconstructed trombone parts. Happenstance has kept me away for too long (though I did perform in Krakow with Les Talens Lyriques earlier this year), so I was delighted to visit Wrocław again for this project of music by Mikołaj Zieleński, and it was great to renew old friendships and acquaintances.
Wrocław has changed remarkably, and yet somehow reassuringly very little. The old town is largely unchanged but the city seems somehow more mature and confident (and noticeably more expensive) than before. It feels almost like my alma mater; it is, after all, where I learnt so much about being a professional musician in those early days. It was lovely to reminisce about old friends and places we visited, with such fond memories of many past trips—a real trip down memory lane. I enjoyed exploring the city centre and noticing the minutiae of changes. It seems that the famous Wrocław dwarves have been busy with their bolt cutters, removing many of the symbolic (and apparently damage-causing) wedding padlocks from the bridges!
After rehearsing at the NFM in Wrocław, we took a coach to Brno in Czechia. I had never visited Brno before; it’s a lovely city with a Vienna-like splendour in parts of the old town. I was delighted to have this opportunity to visit.
We rehearsed and performed in the church of St Peter in Brno on Sunday 8 October 2023, where an ornament adorning the church organ showed something of a likeness!
As well as many works for two choirs, I also had the opportunity to play a more soloistic number: I performed divisions on Mitte manum tuam on the cornetto, with Bill Lyons on dulcian and Marta Niedźwiecka on the chamber organ. It is a wonderful work, and one that I hope to come back to one day. Performing Spiritus Sanctus docebit took me right back to my first Zieleński recording in 2011.
The encore was a particularly lively rendition of Salve festa dies, complete with an ornamented instrumental verse—a wonderfully jubilant and catchy tune. For this piece, I played in the place of the lead violinist Zbigniew Pilch, and he took my place on the opposite side. It was great to play alongside my old friend Mikołaj Zgółka (violin); we’ve kept in touch and I recently did some proofreading for him, for the preface of his edition of Józef Elsner’s (1769–1854) Trois Quatuors. Mikołaj reliably informed me that Elsner spent several years of his life in Brno, so we took a photo together with the edition. I must say, he’s done a very good job.
This was an excellent trip with the Wrocław Baroque Ensemble under Andrzej Kosendiak.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
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