Rossini & Beethoven - St. John’s Waterloo
29 February 2020, 22:15I performed at an experiential concert at St John’s Waterloo on Saturday 29th February 2020 - the bonus day of the leap year. The conductor, David Pearl, had dreamt up this event which would combine his birthday celebration with a fundraiser for the non-profit organisation Street Wisdom. It would also feature his friend and colleague Miha Pogačnik. The performance began with a rendition of the Overture from Rossini’s Barber of Seville, which the conductor had chosen on account of its commedia dell'arte-inspired characters.
The remaining part of the first half of the concert introduced the Slovenian-born violinist and TEDx-talker Miha Pogačnik to the stage. He used a large whiteboard to illustrate his interpretation of the Beethoven Violin Concerto in D major [Op. 61] while the orchestra played extracts from the piece. His ideas ranged from rational to tangential but he delivered them enthusiastically. His explanation helped to make the performance of the 40-minute concerto more accessible to the corporate audience, as it was assumed that many would have been less accustomed to attending orchestral performances.
Paella was served in the crypt during a convivial interval. The audience and orchestra reassembled for the second half which would feature a complete performance of the Beethoven Violin Concerto, and the annotated whiteboard had been placed in full view behind the orchestra. The audience was invited to sit between the different sections and players within the orchestra. The audience reaction (captured both in interviews and as applause) was filmed for a promotional video. It was certainly an interesting experiment with a positive reaction from the audience.
The remaining part of the first half of the concert introduced the Slovenian-born violinist and TEDx-talker Miha Pogačnik to the stage. He used a large whiteboard to illustrate his interpretation of the Beethoven Violin Concerto in D major [Op. 61] while the orchestra played extracts from the piece. His ideas ranged from rational to tangential but he delivered them enthusiastically. His explanation helped to make the performance of the 40-minute concerto more accessible to the corporate audience, as it was assumed that many would have been less accustomed to attending orchestral performances.
Paella was served in the crypt during a convivial interval. The audience and orchestra reassembled for the second half which would feature a complete performance of the Beethoven Violin Concerto, and the annotated whiteboard had been placed in full view behind the orchestra. The audience was invited to sit between the different sections and players within the orchestra. The audience reaction (captured both in interviews and as applause) was filmed for a promotional video. It was certainly an interesting experiment with a positive reaction from the audience.
Russell Gilmour

writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
Aurora Orchestra
Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet
Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet