Handel - Messiah - Ars Eloquentiae - Basingstoke Choral Society
15 November 2015, 22:00At 7pm on Sunday the 15th of November I played first trumpet in a Messiah at ‘The Anvil’ in Basingstoke. The performance was given by the orchestra Ars Eloquentiae and the Basingstoke Choral Society and was directed by David Gibson.
Details from the Basingstoke Choral Society website (below) had outlined their aims for the work and I would like to congratulate them on achieving them - it was a very agile performance of the Messiah and David Gibson did an excellent job in leading both the choir and the orchestra.
“Our November performance of Messiah will be quite different from other performances of this much loved work. In particular we shall be working with the wonderful young baroque players of “Ars Eloquentiae” who many will remember made such a huge impact at Douai Abbey last year; playing with such energy and unrivalled enthusiasm. We will be joined by a fabulous line up of soloists, headed by the stunning soprano Robyn Allegra Parton, who sang so brilliantly in the Will Todd Mass in Blue. Diana Moore will also be returning with her wonderfully creamy alto voice along with Alexander James Edward as our Tenor. Ashley Riches will be singing the Bass arias for the first time with us, fresh from his recent successes at the Royal Opera House.
“We will be concentrating on a light, nimble and vibrant interpretation of this glorious music and will include many of the choruses often cut, such as “Lift up your heads”. I believe it promises to be a great evening of high-class music making. I am sure there will be a large and enthralled audience and I look forward to seeing you all in November.”
It is fantastic that any ‘review’ that I could have written about the concert was already outlined in their expectations from months ago! They succeeded in reaching their aims and the soloists, orchestra, choir, venue and conductor were all excellent.
The Anvil is a decent venue and it had a pleasing acoustic. Everything looked and sounded very good in there and there were none of the usual lighting, temperature and sight-line problems that we so often experience in churches, particularly at this time of year! It was a thrill to play there and in such good circumstances. The Trumpet Shall Sound featured myself and the Bass soloist Ashley Riches and it was a real joy to play.
I was delighted to see several RNCM (Royal Northern College of Music) alumni both in the orchestra and audience. This included a surprise meeting with my friend Jeremy, with whom I studied at the RNCM and we completed the QTS course simultaneously.
Details from the Basingstoke Choral Society website (below) had outlined their aims for the work and I would like to congratulate them on achieving them - it was a very agile performance of the Messiah and David Gibson did an excellent job in leading both the choir and the orchestra.
“Our November performance of Messiah will be quite different from other performances of this much loved work. In particular we shall be working with the wonderful young baroque players of “Ars Eloquentiae” who many will remember made such a huge impact at Douai Abbey last year; playing with such energy and unrivalled enthusiasm. We will be joined by a fabulous line up of soloists, headed by the stunning soprano Robyn Allegra Parton, who sang so brilliantly in the Will Todd Mass in Blue. Diana Moore will also be returning with her wonderfully creamy alto voice along with Alexander James Edward as our Tenor. Ashley Riches will be singing the Bass arias for the first time with us, fresh from his recent successes at the Royal Opera House.
“We will be concentrating on a light, nimble and vibrant interpretation of this glorious music and will include many of the choruses often cut, such as “Lift up your heads”. I believe it promises to be a great evening of high-class music making. I am sure there will be a large and enthralled audience and I look forward to seeing you all in November.”
It is fantastic that any ‘review’ that I could have written about the concert was already outlined in their expectations from months ago! They succeeded in reaching their aims and the soloists, orchestra, choir, venue and conductor were all excellent.
The Anvil is a decent venue and it had a pleasing acoustic. Everything looked and sounded very good in there and there were none of the usual lighting, temperature and sight-line problems that we so often experience in churches, particularly at this time of year! It was a thrill to play there and in such good circumstances. The Trumpet Shall Sound featured myself and the Bass soloist Ashley Riches and it was a real joy to play.
I was delighted to see several RNCM (Royal Northern College of Music) alumni both in the orchestra and audience. This included a surprise meeting with my friend Jeremy, with whom I studied at the RNCM and we completed the QTS course simultaneously.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet
