Bach - Christmas Oratorio - Exeter Cathedral
3 December 2016, 22:00Devon Baroque and Exeter Festival Chorus performed J S Bach's Christmas Oratorio in Exeter Cathedral on Saturday 3rd December 2016. The performance was directed by Aidan Oliver.
The Exeter Festival Chorus did an excellent job and the soloists, Anna Patalong (soprano), Kate Symonds-Joy (alto), David Webb (tenor) and Benedict Nelson (bass) were all very good too.
The guest conductor, Aidan Oliver, had carefully selected a few movements to cut and intentionally omitted a number of D.Cs to curtail the duration of the Christmas Oratorio. Performing all six parts in one performance can make for a long concert. The conductor ingeniously directed the performance keeping the arias, choruses and recitatives flowing with the minimum of fuss inbetween movements - an essential element in performing any work of this magnitude.
Memorable instrumental moments came during obbligati played by Persephone Gibbs (Lead Violin) and later, Oonagh Lee (Oboe).
I particularly enjoyed performing 'Großer Herr' and the Chorale No.9 'Ach mein herzliebes Jesulein' which beautifully featured the choir and the trumpet section, consisting of: Russell Gilmour (1st trumpet), William Russell (2nd trumpet), Gareth Hoddinott (3rd trumpet) and Keith Price (timpani). It is a gloriously refined ending to the first cantata.
The second half of the concert was equally good and the concert continued to flow along nicely. Part 6 was a real thrill and the choir did an excellent job in these difficult choruses. I must also say a huge bravo to the gentlemen of the choir, just five tenors and eight basses in a choir of fifty - they did a great job in keeping fugal entries moving and they managed to balance with the more numerous sopranos and altos (who also sang brilliantly).
This was the first Christmas Oratorio of the season for me, and it is always wonderful to hear this music again. I try to avoid listening to recordings of it throughout the year in order to preserve it for Advent, so it is always a piece that brings back memories of wonderful tours, places, people and concerts.
Thanks to Devon Baroque, Aidan Oliver and to the Exeter Festival Chorus - Thanks also to the organisers for arranging this magnificent concert in this wonderful venue - and to the large number of people that attended the concert.
The Exeter Festival Chorus did an excellent job and the soloists, Anna Patalong (soprano), Kate Symonds-Joy (alto), David Webb (tenor) and Benedict Nelson (bass) were all very good too.
The guest conductor, Aidan Oliver, had carefully selected a few movements to cut and intentionally omitted a number of D.Cs to curtail the duration of the Christmas Oratorio. Performing all six parts in one performance can make for a long concert. The conductor ingeniously directed the performance keeping the arias, choruses and recitatives flowing with the minimum of fuss inbetween movements - an essential element in performing any work of this magnitude.
Memorable instrumental moments came during obbligati played by Persephone Gibbs (Lead Violin) and later, Oonagh Lee (Oboe).
I particularly enjoyed performing 'Großer Herr' and the Chorale No.9 'Ach mein herzliebes Jesulein' which beautifully featured the choir and the trumpet section, consisting of: Russell Gilmour (1st trumpet), William Russell (2nd trumpet), Gareth Hoddinott (3rd trumpet) and Keith Price (timpani). It is a gloriously refined ending to the first cantata.
The second half of the concert was equally good and the concert continued to flow along nicely. Part 6 was a real thrill and the choir did an excellent job in these difficult choruses. I must also say a huge bravo to the gentlemen of the choir, just five tenors and eight basses in a choir of fifty - they did a great job in keeping fugal entries moving and they managed to balance with the more numerous sopranos and altos (who also sang brilliantly).
This was the first Christmas Oratorio of the season for me, and it is always wonderful to hear this music again. I try to avoid listening to recordings of it throughout the year in order to preserve it for Advent, so it is always a piece that brings back memories of wonderful tours, places, people and concerts.
Thanks to Devon Baroque, Aidan Oliver and to the Exeter Festival Chorus - Thanks also to the organisers for arranging this magnificent concert in this wonderful venue - and to the large number of people that attended the concert.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet
