Bach, Handel & Purcell - English Chamber Choir - 75th Birthday Concert for Crispian Steele-Perkins
22 February 2020, 21:30A performance to celebrate the 75th birthday of the celebrated trumpeter Crispian Steele-Perkins took place at St. James’s Piccadilly in London on Saturday 22nd February 2020. As well as featuring a number of trumpet solos from Crispian the performance also showcased the English Chamber Choir and the orchestra (the English Players), under the direction of Guy Protheroe.
St James’s Church is a fantastic venue in the centre of London, though when it was built it was considered to be on the outskirts. The building, of red brick and Portland stone, was designed and built by Sir Christopher Wren in 1684.
The trumpet section featured Crispian Steele-Perkins, Russell Gilmour and William Russell, with Ben Fullbrook on timpani. I had fixed the wind section for this performance and it was a great pleasure to hear such excellent oboe, recorder, flute and bassoon playing. The recorder players (Oonagh Lee and Emily Bloom) especially wowed the audience with their rhetorical performance of Strike the Viol in Purcell’s Come, ye Sons of Art. Oonagh Lee also played a number of oboe and oboe d’amore features in the programme, which were wonderful.
It was great to see a number of trumpet players who called in throughout the day or attended the concert. I had invited one of my former teachers and one of Crispian’s contemporaries to the performance. Michael Laird’s attendance was a nice surprise for Crispian and we had time to enjoy dinner together (with Crispian’s wife and daughter) between the rehearsal and performance at San Carlo on the Haymarket.
Crispian played very well and I enjoyed listening to his playing and his trademark natural trumpet sound which is charming, distinctive and wonderfully-chirruping.
I played first trumpet in Nun ist das Heil und die Kraft, Let their Celestial Concerts All Unite and in the Magnificat. Crispian gave excellent performances as the soloist in the Stradella, Purcell and Handel. After playing the Stradella in the rehearsal, he said “Nice piece isn’t it.... wrote it myself!”, which got a big laugh.
After the concert the orchestra and choir enjoyed a glass of Prosecco together to formally celebrate Crispian’s birthday (which was actually back in December).
St James’s Church is a fantastic venue in the centre of London, though when it was built it was considered to be on the outskirts. The building, of red brick and Portland stone, was designed and built by Sir Christopher Wren in 1684.
The trumpet section featured Crispian Steele-Perkins, Russell Gilmour and William Russell, with Ben Fullbrook on timpani. I had fixed the wind section for this performance and it was a great pleasure to hear such excellent oboe, recorder, flute and bassoon playing. The recorder players (Oonagh Lee and Emily Bloom) especially wowed the audience with their rhetorical performance of Strike the Viol in Purcell’s Come, ye Sons of Art. Oonagh Lee also played a number of oboe and oboe d’amore features in the programme, which were wonderful.
It was great to see a number of trumpet players who called in throughout the day or attended the concert. I had invited one of my former teachers and one of Crispian’s contemporaries to the performance. Michael Laird’s attendance was a nice surprise for Crispian and we had time to enjoy dinner together (with Crispian’s wife and daughter) between the rehearsal and performance at San Carlo on the Haymarket.
Crispian played very well and I enjoyed listening to his playing and his trademark natural trumpet sound which is charming, distinctive and wonderfully-chirruping.
Bach - Nun ist das Heil und die Kraft [BWV 50]
Stradella - Trumpet Sonata
Purcell - Come, ye Sons of Art
Handel - Let the Bright Seraphim [from Samson]
Handel - Let their Celestial Concerts All Unite [from Samson]
Bach - Magnificat in D [BWV 243]
I played first trumpet in Nun ist das Heil und die Kraft, Let their Celestial Concerts All Unite and in the Magnificat. Crispian gave excellent performances as the soloist in the Stradella, Purcell and Handel. After playing the Stradella in the rehearsal, he said “Nice piece isn’t it.... wrote it myself!”, which got a big laugh.
After the concert the orchestra and choir enjoyed a glass of Prosecco together to formally celebrate Crispian’s birthday (which was actually back in December).
Russell Gilmour

writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet