Chronicles - Trumpet & Organ:

Category: Chronicles

The Medieval Manuscript the 'Chronicles of Mann and Sudreys' mentions various locations, including the Isle of Man, Wales, Scotland, Ireland and even places as far away as Norway and Brittany.

Russell Gilmour (trumpet) and David Kilgallon (organ) use melodies from these countries and they merge and fuse these ideas together with their own to create unique compositions for trumpet and organ. The idea behind their musical collaboration is to explore traditional music from these countries and to adapt the music, interpret it and explore it. Chronicles' musical format is slightly unusual in that it combines trumpet and organ - not the instruments you may initially associate with folk music - but it is an approach that has sparked a lot of interest.

Their limited edition EP "Prologue" is a sample of things to come, as the production of a full album is underway. The full album will be Chronicles' musical impression of the Isle of Man's influences and rich history - as documented in the Chronicles of Mann.

Chronicles Website

Selaocoe ‘Four Spirits’ & Beethoven Symphony No. 7 - Aurora Orchestra - Saffron Hall, Munich, Bielefeld, Hamburg, Frankfurt, Berlin, Cologne, Bruges & Queen Elizabeth Hall

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Words simply cannot convey the brilliance of the past fortnight, which I have spent performing with the Aurora Orchestra under the baton of Nicholas Collon. After a fairly gentle start to the year for me (professionally), the reunion of this family-like orchestra felt all the more uplifting. We performed Beethoven’s Symphony No. 7 from memory at Saffron Hall (23 February), the Isarphilharmonie in

Bach - Unser Mund sei voll Lachens - BWV 110 - Monteverdi Choir & English Baroque Soloists - Elbphilharmonie, Hamburg

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La Scala, Milan | Alte Oper, Frankfurt | Elbphilharmonie, Hamburg | St. Martin-in-the-Fields, LondonThe third concert of our tour, featuring Marc-Antoine Charpentier’s Messe de minuit pour Noël, [H 9], Johann Sebastian Bach’s Schwingt freudig euch empor [BWV 36c] and Bach’s Unser Mund sei voll Lachens [BWV 110] took place at the Elbphilharmonie in Hamburg on Saturday 14 December 2024. This

Bach - Unser Mund sei voll Lachens - BWV 110 - Monteverdi Choir & English Baroque Soloists - Alte Oper, Frankfurt

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La Scala, Milan | Alte Oper, Frankfurt | Elbphilharmonie, Hamburg | St. Martin-in-the-Fields, London I rejoined the English Baroque Soloists under the direction of Christophe Rousset to perform Johann Sebastian Bach’s Unser Mund sei voll Lachens [BWV 110] alongside the Monteverdi Choir at the Alte Oper in Frankfurt on Sunday 8 December 2024. This was the second performance of the project,

Mozart - Così fan tutte - Les Talens Lyriques - Würzburg

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The last few months have been quite a whirlwind—in fact, it’s been incredibly busy since January when we began rehearsing Mozart’s Così fan tutte for a staged production at the Théâtre du Châtelet in Paris. It was great to perform this opera at the Würzburg Mozartfest with Les Talens Lyriques and Christophe Rousset: we gave performances on Friday 7th and Saturday 8th June 2024 in the

Beethoven Symphony No. 3 (‘Eroica’) - Aurora Orchestra

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As strong geomagnetic activity caused the aurora borealis to show itself over much of Britain, the Aurora Orchestra gave six colourful and mesmerising performances of Beethoven’s third (‘Eroica’) symphony for audiences in France and southeast England. We performed the symphony from memory at the Apex in Bury St. Edmunds (7 May), the Queen Elizabeth Hall in London (8 May), Snape Maltings in Suffolk

Handel - Jephtha - Les Talens Lyriques - Oslo Cathedral

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I played first trumpet in Handel’s Jephtha [HWV 70] on Sunday 17 March 2024 in Oslo Cathedral, with Christophe Rousset and Les Talens Lyriques. The performance featured the singers: Jeremy Ovenden (Jephtha), Deborah Cachet (Iphis), Sophie Harmsen (Storgé), Edwin Crossley-Mercer (Zebul), Tim Mead (Hamor), Lian Wei (Angel) and the Chœur de Chambre de Namur. This performance was the last

Bach - Brandenburg Concerto No. 2 - Varaždin

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I performed as one of the soloists in Bach’s Second Brandenburg Concerto [BWV 1047] with the Croatian Baroque Ensemble - Hrvatski barokni ansambl - for the second time this year. Last time, in May, I played in a programme entitled ‘Erschallet, Trompeten!’ in the Croatian Music Institute in Zagreb and I had to isolate for 10 days upon my return. This time I performed in Varaždin as part

Bach, Brandenburg, Tour, Touring

Göttingen International Handel Festival - 2021 - Ariodante

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It was brilliant to return to Göttingen for the International Handel Festival in September 2021. The festival usually takes place in May each year, but it has been displaced by the coronavirus pandemic. The last time the festival took place was in May 2019, when we performed Handel’s Saul [HWV 53] in Hannoversche Münden. Getting to the first rehearsal was challenging; the Lufthansa flight

In Memoriam: Edward H. Tarr (1936 - 2020)

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Prof. Dr. Edward Hankins Tarr (b.15/06/1936 Norwich, Connecticut, USA - d.24/03/2020 Rheinfelden, Germany) was a pioneering performer and one of the most esteemed modern scholars of the natural trumpet. His research, editions, articles, dictionary entries, and books are indispensable to any student of the trumpet or natural trumpet. His translations of Bendinelli, Fantini and Altenburg’s treatises,

Beethoven & Mozart - Aurora Orchestra - Gstaad & Kings Place

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Performing Berlioz’s Symphonie Fantastique with the Aurora Orchestra was one of the most enjoyable projects I participated in last year. It was great to return to play with the orchestra in February 2020 for music by Beethoven and Mozart. The orchestra rehearsed Beethoven’s Symphony No.1 in C [Op.21] on Wednesday 5th February 2020 at Morley College in London. We regrouped at London’s Heathrow

Bach - Cantatas 62, 63, 110 & 243 - Luxembourg & Budapest

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When I was a student at the Royal College of Music I proposed a series of classes (in 2011) that would be organised and directed by postgraduate students from the Historical Performance department. Since I had proposed the idea, I had the job of arranging the inaugural class and I could choose the repertoire myself. I chose Johann Sebastian Bach’s ‘Christen, ätzet diesen Tag’ [BWV 63], originally

Monteverdi - Vespers - Stockholm

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I performed Monteverdi’s Vespers in the Swedish capital city of Stockholm on Sunday 24th March 2019. Prior to this visit I had spent only a few hours in Sweden (in Malmö, on a day trip over the railway bridge from Denmark) so I took the opportunity to extend my visit over a long weekend that tied in with the cheapest flights. This opportunity had arisen at fairly short notice and my Mum (who lives

Mielczewski - Wrocław Baroque Ensemble - Płock & Warsaw

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Andrzej Kosendiak and the Wrocław Baroque Ensemble performed music by Marcin Mielczewski in two cities alongside the Vistula river in central Poland. The first concert took place in Płock Cathedral (the Bazylika Katedralna Wniebowzięcia Najświętszej Maryi Panny) on Saturday 2nd February 2019, and the second concert took place in the Great Hall of the Royal Castle in Warsaw on Sunday 3rd February

Bach - Weihnachtsoratorium - San Sebastián & Luxembourg

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Spain is a country I have visited only twice before. The more recent trip was to Úbeda with the Academy of Ancient Music in 2013. I performed as a soloist playing Handel’s Diana cacciatrice [HWV 79] with the soprano soloist Lucy Crowe. Before that I visited Spain for the first time with Le Concert Lorrain. We finished an extensive European tour in Burgos on the 21st of December 2010 with a performance

[7/7] - Ho Chi Minh City - Vietnam - Toyota Classics Tour 2018 - Orchestra of the Age of Enlightenment