The Medieval Manuscript the 'Chronicles of Mann and Sudreys' mentions various locations, including the Isle of Man, Wales, Scotland, Ireland and even places as far away as Norway and Brittany.
Russell Gilmour (trumpet) and David Kilgallon (organ) use melodies from these countries and they merge and fuse these ideas together with their own to create unique compositions for trumpet and organ. The idea behind their musical collaboration is to explore traditional music from these countries and to adapt the music, interpret it and explore it. Chronicles' musical format is slightly unusual in that it combines trumpet and organ - not the instruments you may initially associate with folk music - but it is an approach that has sparked a lot of interest.
Their limited edition EP "Prologue" is a sample of things to come, as the production of a full album is underway. The full album will be Chronicles' musical impression of the Isle of Man's influences and rich history - as documented in the Chronicles of Mann.
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writing on music, photography, travel and life as a freelance professional musician.
Bach - Wo soll ich fliehen hin [BWV 5] - New College, Oxford
%PM, %Europe/London %b %2023, %RI played the Zugtrompete (a trumpet with a single slide) and a trumpet in low B-flat at A = 415 Hz for a performance of Johann Sebastian Bach’s Wo soll ich fliehen hin [BWV 5] with the Choir of New College, Oxford under their Director of Music, Robert Quinney. We performed the cantata as part of a Sunday service in New College Chapel, and the service also included readings in German and Lutheran
Bach - Cantatas 62, 63, 110 & 243 - Luxembourg & Budapest
%PM, %Europe/London %b %2019, %RWhen I was a student at the Royal College of Music I proposed a series of classes (in 2011) that would be organised and directed by postgraduate students from the Historical Performance department. Since I had proposed the idea, I had the job of arranging the inaugural class and I could choose the repertoire myself. I chose Johann Sebastian Bach’s ‘Christen, ätzet diesen Tag’ [BWV 63], originally
Schelle, Kuhnau & Bach - ‘Christmas in Leipzig’ - Solomon’s Knot - St. Mary’s Nottingham & Milton Court, London
%PM, %Europe/London %b %2018, %RMusic by three successive Leipzig Thomaskantors (incidentally, all with the first name Johann) was the focus of Solomon’s Knot’s performances in Advent 2018. Rehearsals for the programme entitled ‘Christmas in Leipzig’ began on 26th November 2018 at Holy Trinity Church on Prince Consort Road in London. The first public performance took place at St. Mary’s Church in the Lace Market, Nottingham
Wedding - Fiori Musicali - St Peter's Church, Wolfhampcote
%AM, %Europe/London %b %2017, %RI performed at a wedding on Saturday 8th July 2017. The ceremony took place in the ancient (and now almost redundant) St Peter's Church in Wolfhampcote in Warwickshire. The Church is near the county border, close to Braunston and Daventry in Northamptonshire. The presence of St Peter's Church in Wolfhampcote is noted in the Domesday Book and the oldest parts of the current church building date from
‘Bach’s Christmas Vespers 1723’ - Oxford Baroque - King’s Place
%PM, %Europe/London %b %2016, %R
Oxford Baroque performed a programme entitled ‘Bach’s Christmas Vespers 1723’ on Saturday 10th of December 2016 at King’s Place - as part of the venue's ‘Baroque Unwrapped’ season. Jeremy Summerly conducted the choir and orchestra of Oxford Baroque throughout this fascinating programme which included liturgically-linked music by Bach, Franck, Gabrieli, Kuhnau, Praetorius and others.
JS
Solomon’s Knot - Nikolaikirche - Leipzig Bachfest 2016
%PM, %Europe/London %b %2016, %RThe baroque collective Solomon’s Knot performed on the second day of Leipzig’s Bachfest, giving a concert on Saturday, 11th of June 2016 in the Nikolaikirche. The singers performed the entire concert from memory and the conductorless ensemble wowed the Leipzig audience with what the Leipzig Bachfest described as an ‘outstandingly vivid’ performance. The response from the audience was overwhelming