Bach - Christmas Oratorio - Live from London - Gabrieli Consort & Players
9 November 2020, 16:00I played in the trumpet section for the Gabrieli Consort & Players’ video recording of Bach’s Christmas Oratorio [BWV 248] at St. John’s Smith Square on 8th and 9th of November 2020. The subsequent videos will be released on the liturgically correct occasions between Christmas and Epiphany as part of a series of six ultra high definition video releases to a ticketed online audience, part of the Voces8 Foundation’s ‘Live from London’ series.
It was lovely to be back freelancing in London. It was great to see and metaphorically bump in to friends and colleagues that I haven’t seen since March or before. It was especially great to see the horn and oboe da caccia players (who generally played in different sessions to us; we passed like ships in the night during the break of the first rehearsal and in the crossover between recording part six and parts two and four).
It was great to be part of this production, with a star-filled group of vocalists including: Anna Dennis (soprano), Carolyn Sampson (soprano), Helen Charlston (mezzo), Tim Mead (countertenor), Jeremy Budd (tenor), Hugo Hymas (tenor), Ashley Riches (bass) and Roderick Williams (baritone). I played third trumpet in the section with Neil Brough on first trumpet, Katie Hodges on second and Adrian Bending on timpani. After the recording, the trumpet section enjoyed a socially-distanced catch-up on the steps of St. John’s Smith Square, before we each unfolded our bicycles and cycled in separate ways. I enjoyed catching up with Neil Brough, who had been one of my teachers during my postgraduate studies at the Royal College of Music ten years ago.
During travels to and from rehearsals and sessions, it was strange to experience this quiet city.
It was lovely to be back freelancing in London. It was great to see and metaphorically bump in to friends and colleagues that I haven’t seen since March or before. It was especially great to see the horn and oboe da caccia players (who generally played in different sessions to us; we passed like ships in the night during the break of the first rehearsal and in the crossover between recording part six and parts two and four).
It was great to be part of this production, with a star-filled group of vocalists including: Anna Dennis (soprano), Carolyn Sampson (soprano), Helen Charlston (mezzo), Tim Mead (countertenor), Jeremy Budd (tenor), Hugo Hymas (tenor), Ashley Riches (bass) and Roderick Williams (baritone). I played third trumpet in the section with Neil Brough on first trumpet, Katie Hodges on second and Adrian Bending on timpani. After the recording, the trumpet section enjoyed a socially-distanced catch-up on the steps of St. John’s Smith Square, before we each unfolded our bicycles and cycled in separate ways. I enjoyed catching up with Neil Brough, who had been one of my teachers during my postgraduate studies at the Royal College of Music ten years ago.
During travels to and from rehearsals and sessions, it was strange to experience this quiet city.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
Aurora Orchestra
Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet
Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet